Explore Artworks

Chariot (1875)

Henry Collins Bispham (American, unknown)

A lone chariot cuts through the dust, its wheels barely touching the earth. The horses strain forward, muscles taut, as if racing against time itself. No driver in sight—just raw motion, power barely contained.
The Veteran (Portrait of George Reynolds) (Probably 1885)

Thomas Eakins (American, 1844–1916)

The old soldier’s face is carved with deep lines, each wrinkle a silent witness to battles long past. His gaze holds something unspoken—not pride, not regret, but the weight of years carried in stillness. The uniform hangs loose, a relic of another time.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.030 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart among spiny crabs and crayfish, their scales shimmering in impossible hues. Each creature twists with exaggerated, almost fantastical forms—nature amplified into something stranger, more vivid. The sea here teems with life both familiar and utterly alien.
Old Woman With A Chip Basket (1882)

Albert Edelfelt (Finnish, 1854–1905)

An old woman clutches a woven basket, her knuckles rough from years of work. The weight of it bends her shoulders slightly, but her gaze stays steady—patient, resigned. The basket’s frayed edges hint at countless trips, burdens carried without complaint. There’s dignity in her weariness.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.025 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish, crayfish, and crabs twist across the page—some striped, others spiked, all rendered in exaggerated hues. The creatures seem to writhe with life, their unnatural colors and strange forms blurring the line between scientific record and wild imagination.
Mrs. William Burden, A. M. (née Margaret Livingston Partridge) (1932)

Philip Alexius de László (Hungarian, unknown)

A poised woman in a flowing white gown gazes past the viewer, her gloved hand resting lightly on a chair. The soft drapery and warm light lend an air of quiet elegance, while her distant expression hints at unspoken thoughts. The portrait balances refinement with subtle mystery.
The Patio

John Ireland Howe Downes (American, unknown)

Sunlight slants across worn tiles, casting sharp shadows from potted plants. A lone chair sits slightly askew, as if someone just stood up. The air feels thick with quiet—no voices, just the faint hum of insects. This patio holds time in its stillness.
Autumn Landscape (1929)

Konstantin Ivanovich Gorbatov (Russian, 1876–1945)

Golden leaves cling to twisted branches above a dirt road winding through the Russian countryside. The air smells of damp earth and woodsmoke. A lone figure walks toward a cluster of wooden houses, their shadow stretching long in the late afternoon light. Winter isn’t far off.
A young woman opening a jewel casket

Alice Macallan Swan (English, 1864–1939)

A young woman hesitates, fingers brushing the ornate latch of a jewel casket. The glow of gold catches her face—anticipation, temptation, perhaps dread. What secrets lie inside? Her posture tenses between desire and restraint, the casket’s contents as veiled as her thoughts.
Arachnida Acaridea Pl 10 (1879-1915)

Frederick DuCane Godman (English, 1834–1919)

A delicate web of fine lines traces the segmented legs and rounded body of a tiny arachnid, frozen in meticulous detail. The engraving reveals each hair, each joint—an unseen world magnified with scientific precision.
Porcelain-White Spider

Emma Beach Thayer (American, 1849–1924)

A porcelain-white spider perches with delicate precision, its ghostly form stark against the dark unknown. Each joint, each hair, rendered with clinical clarity—nature’s fragile architecture frozen in eerie stillness. Not a predator, not a victim, just a whisper of life in perfect, unsettling detail.
Bildnis des Malers Berthold Winder

Anton Romako (Austrian, 1832–1889)

A man’s gaze holds steady, his face shadowed but alert. The brushstrokes suggest restlessness beneath the composed surface—an artist caught between observation and creation. The portrait lingers, unposed, as if he might turn away at any moment.
Woman with green dress and silver necklaces with pendants (1909)

Max Nonnenbruch (German, 1857–1922)

A woman in a flowing green dress stands poised, silver necklaces glinting against the fabric. The pendants catch the light, their intricate details hinting at untold stories. Her gaze holds something unspoken, drawing you into the quiet mystery of the moment.
Mrs. Cecil Wade (1886)

John Singer Sargent (American, 1856-1925)

A woman in white leans forward, her gloved hand resting lightly on a table. The brushstrokes blur the background into softness, making her poised figure the only sharp thing in the room. There’s a quiet intensity in her gaze—like she’s just paused mid-conversation to consider something unspoken.
In the Poppy Field, Auvers-sur-Oise

Charles Sprague Pearce (American, 1851–1914)

Poppies sway in a sunlit field near Auvers-sur-Oise, their red petals brushing against wild grasses. The breeze carries the scent of earth and blooms, blurring the line between meadow and sky. A fleeting warmth lingers in the air, as if summer itself could be held in one glance.