Explore Artworks

Mädchen im Garten einer Villa (1900)

Julius Victor Berger (German, unknown)

A girl stands in dappled sunlight, the villa’s garden alive around her—loose brushstrokes blur flowers into whispers of color. Her dress catches the breeze, half-turned as if she might step out of the frame.
Seated Lady with a Book (1877)

Albert von Keller (German, 1844–1920)

A woman sits absorbed in her book, the pages catching the light. Her posture is relaxed yet intent, the quiet concentration of someone lost in thought. The folds of her dress drape softly around her, as if time has paused just for this moment.
Wheat Fields with Reaper, Auvers

Vincent van Gogh (Dutch, 1853–1890)

Golden wheat sways under a restless sky. A lone reaper moves through the field, his figure small against the vastness. Brushstrokes twist like wind, pulling the eye across the canvas. The scene hums with motion—earth and sky alive in thick, urgent paint.
Afternoon Tea (1925)

Harrison Fisher (American, 1875–1934)

A woman in 1920s elegance leans forward, her gloved fingers poised above the teacup. The saucer catches a sliver of light as her companion’s laughter hangs just beyond the frame. Lace curtains stir—someone left the window open. The scene hums with unspoken words and cooling tea.
Wild flowers (1890 – 1900)

Jan Ciągliński (Polish, 1858–1913)

A tangle of wildflowers bursts across the canvas, their petals catching light like scattered sparks. The brushstrokes hum with movement—grasses sway, blooms tilt, as if a breeze just passed through. No careful garden here; this is nature untamed, alive.
Sous Les Tonnelles

Louis Icart (French, 1880–1950)

A woman in 1920s fashion lounges beneath flowering vines, her dress catching dappled sunlight. The garden hums with quiet luxury, her poised silhouette framed by delicate leaves. Every fold of fabric, every shadow hints at an afternoon suspended in effortless grace.
Fête à Pont Aven

Ferdinand du Puigaudeau (French, 1864–1930)

Lanterns glow above the crowded square, casting warm pools of light on dancing figures. The night air hums with music and laughter, a fleeting celebration caught between shadow and radiance.
Saint Agnes

Taddeo di Bartolo (Italian, 1362–1422)

A young woman stands solemnly, her lamb resting at her feet. Gold leaf halos her head as she clutches a palm frond—martyrdom’s quiet symbol. The folds of her robe drape with weight, as if carved from stone. Her gaze holds something unbroken, even in stillness.
La Danse (1877)

Édouard Frédéric Wilhelm Richter (French, 1844–1913)

A whirl of skirts and laughter, figures caught mid-step in a lively country dance. The energy pulses through the scene—boots tapping, hands clasped, faces flushed with motion. It’s not just a dance; it’s the sheer joy of movement frozen in time.
Dziewczyna z girlandą kwiatów (1922)

Tadeusz Makowski (Polish, 1882–1932)

A girl stands solemnly, crowned by a garland of flowers. The blossoms frame her face like a fragile halo, their brightness contrasting with her quiet gaze. There’s weight in her stillness—something unspoken lingers between youth and the weight of the wreath upon her head.
Anthias formosus, The Grunt. (1785-1797) (1)

Marcus Elieser Bloch (German, 1723–1799)

A slender grunt fish, scales etched with precision, hovers mid-swim against blank parchment. Its delicate fins splay like lace, mouth slightly agape—caught forever in silent motion. The engraving’s crisp lines reveal each iridescent detail, as if the creature might dart off the page with the next ripple.
Vase of White Lilacs and Roses (1883)

Édouard Manet (French, 1832–1883)

Loose white lilacs tumble over the vase’s edge, their petals brushing against tight pink rosebuds. The flowers seem caught mid-movement, as if they might spill onto the table at any moment. A single fallen petal rests on the dark surface below.
Pensive (Matin)

Louis Icart (French, 1880–1950)

A woman sits in quiet reflection, her poised elegance softened by the weight of thought. The lines of her figure flow with restrained grace, caught between shadow and light. There’s something unspoken in her stillness—a tension beneath the surface, waiting.
Rubus (1910)

Amanda Almira Newton (American, 1860–1943)

Delicate watercolor strokes bring the Rubus to life—each thorn, leaf, and berry rendered with precision. The plant’s wild energy contrasts with the careful study, as if caught mid-growth on the page.
Jeanne (Spring) (1881)

Édouard Manet (French, 1832–1883)

A young woman in a pale dress stands against lush greenery, her parasol tilted just so. The play of light on fabric and leaves feels fleeting, like a breath held between seasons. Her gaze lingers somewhere beyond the frame, hinting at thoughts left unspoken.