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King Philip II of Spain (1545-1556)
Titian’s portrait of Philip II blends royal formality with subtle realism and presence.
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Flora (1517)
Titian’s ‘Flora’ from 1517 beautifully captures the goddess of spring in a graceful and colorful composition, symbolizing fertility and nature’s abundance.
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Poirier En Fleurs (1885)
Monet’s ‘Poirier En Fleurs’ beautifully captures the fleeting beauty of a pear tree in bloom, showcasing his impressionistic style focused on light and nature.
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A Girl From Frascati
“A Girl from Frascati” is an oil painting by Jean Barbault, portraying a young woman in traditional attire. The artwork delicately captures her expression and posture against a simple background, emphasizing her calmness and grace. This piece reflects Barbault’s interest in Italian rural life and his exceptional skill in portraiture.
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The Love Letter (1880)
Depicts a woman reading a love letter, showcasing the delicate style of 19th-century German painting.
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April(The Green Gown)
Hassam portrays a springtime woman with daffodils, showcasing nature’s beauty.
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Field of Poppies, Isles of Shoals (1890)
Hassam captured the natural beauty of poppy fields in the Isles of Shoals.
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Pomona (1900)
Hassam depicts Roman goddess Pomona, symbolizing cultural nurturing and heritage.
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Strawberry Tea Set (1912)
A serene domestic scene capturing a woman’s quiet contemplation by a sunlit window.
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The Sonata (1911)
Hassam’s “The Sonata” portrays the fusion of music and tranquility, capturing a reflective post-performance moment.
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Saint Romuald Refuses Emperor Otto III Admission to the Church (1435)
Fra Angelico portrays Saint Romuald denying Emperor Otto III entry, highlighting religious conviction and artistic mastery.
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Saint Romuald (c. 1440)
Fra Angelico’s portrayal of Saint Romuald exemplifies Early Renaissance religious art.
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Virgin of Humility (1433~1435)
Fra Angelico’s “Virgin of Humility” portrays a tender moment between the Virgin and Child, exuding sacred serenity.
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The Virgin and Child with St. Anne (1500-1513)
Leonardo da Vinci’s painting captures Saint Anne, the Virgin Mary, and infant Jesus in a tender moment, highlighting themes of maternal love and sacrifice.
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The Circumcision (1661)
Rembrandt’s portrayal of Jesus’ circumcision captures the blend of humanity and divinity with emotional depth.