Explore Artworks

Boletus bulbosus Schff. (1915-1945)

Hans Walty (Swiss, 1868-1948)

A bulbous mushroom rises from the page, its gills and stem rendered with precise, delicate lines. The earthy tones suggest damp forest floors, the quiet decay where fungi thrive. It’s both scientific and strangely alive, as if plucked straight from the undergrowth.
Bridge on the Seine (1908)

Tadeusz Makowski (Polish, 1882–1932)

A wooden bridge arches gently over the Seine, its reflection trembling in the river’s slow current. The scene hums with muted greens and soft blues, as if the air itself holds its breath. Something lingers here—not quite stillness, not quite motion—just the quiet pulse of water meeting land.
Woman In White (c. 1880)

Raimundo de Madrazo y Garreta (Spanish, 1841–1920)

A woman in a flowing white dress stands poised, the fabric catching the light. Her gaze holds quiet confidence, the folds of her gown suggesting movement frozen in time. The contrast of crisp white against the muted background draws the eye, leaving an impression of effortless elegance.
Kränzewinden (1905)

Ludwig von Hofmann (German, 1861–1945)

Young women weave garlands in a sunlit grove, their bare arms brushing against leaves. The air hums with quiet movement—fabric rustles, stems snap, blossoms tumble into place. A dance of hands and flowers, half-hidden by dappled light.
Butterfly (1896)

Albert Bierstadt (American, 1830–1902)

Delicate wings unfurl in soft watercolor strokes, each vein and pattern rendered with precision. The butterfly rests lightly, its fragile form balanced between scientific detail and fleeting beauty. A quiet study of nature’s intricate design, alive on the page.
Empress Elizabeth

Franz Xaver Winterhalter (German, 1805–1873)

The empress glows in cascading silk, her diamond stars catching the light. A frost-blue sash drapes across the gown like spilled moonlight. That gaze—regal yet restless—hints at power barely contained beneath the opulence. Every pearl on her bodice seems to tremble with unspoken ambition.
Girl with a basket of fruit Date (1863)

Frederic Leighton (English, 1830–1896)

A young girl cradles a woven basket brimming with ripe fruit, her gaze thoughtful. Sunlight catches the curve of a peach, the deep red of an apple—each piece almost heavy enough to tumble free. The woven strands strain slightly under the weight, as if the harvest itself might spill into your hands.
Mother and Child (1860s)

Jean-Baptiste-Camille Corot (French, 1796–1875)

A woman cradles her child in soft twilight, their forms blending with the muted landscape. Her hand rests lightly on the small back, fingers curled in quiet protection. The scene holds neither joy nor sorrow—just the unspoken weight of motherhood suspended in the gathering dusk.
The Hill Top (1914)

Frank Weston Benson (American, 1862–1951)

Sunlight dapples the grassy slope, brushstrokes alive with wind and warmth. A lone tree bends slightly, as if listening to the breeze. The colors hum—greens melting into gold, earth meeting sky. No people, just the quiet pulse of a hillside breathing under open air.
La Rousse

Abel Dominique Boye (French, 1864–1933)

A woman with fiery red hair gazes past the frame, her expression unreadable. The play of light catches the warmth in her coiled strands, contrasting against her pale skin. There’s a quiet defiance in her stillness—neither inviting nor retreating, just existing, untamed.
Doorzicht onder een brug naar terrassen en een trap (1750 – 1806)

Louis Gabriel Moreau (French, 1740–1806)

Sunlight filters through the arch of a stone bridge, casting dappled shadows on the steps below. A quiet terrace waits beyond, its empty chairs hinting at gatherings past. The scene holds a hushed expectancy, as if the next visitor might turn the corner any moment.
Landscape at sunset (1906)

Tadeusz Makowski (Polish, 1882–1932)

Golden light spills across the fields, dissolving edges into warm brushstrokes. The horizon glows—not fiery, but soft, like embers cooling. Trees stand as dark silhouettes against that lingering radiance, their forms simplified yet alive. A quiet moment stretches between day and night.
The lady of the lake

Henry John Yeend King (English, unknown)

A lone woman stands by the lake’s edge, her reflection trembling in the water. The quiet ripples mirror her stillness, as if time hesitates around her. The trees lean in, whispering secrets to the wind. She doesn’t move—just watches, caught between the world and its watery twin.
Scarus cretensis, The Grecian Parrot-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

The Grecian parrot-fish glides across the page, its scales etched in precise lines, a burst of color frozen in black and white. The engraving reveals every delicate fin, each curve of its body, as if caught mid-swim. A silent underwater world springs to life on paper.
Waiting (1860)

Thomas Francis Dicksee (English, 1819–1895)

A woman stands by the window, her hand resting lightly on the sill. The light catches the folds of her dress, the quiet tension in her fingers. She’s not just looking out—she’s listening, poised between hope and resignation. The room holds its breath with her.