Explore Artworks

Marvel of the World

Sir Edward Coley Burne-Jones (English, 1833–1898)

A golden figure emerges from swirling mist, draped in celestial robes. Myth and mystery intertwine as light dances across intricate patterns, hinting at divine secrets just beyond reach. The scene pulses with quiet power, drawing the viewer into its otherworldly glow.
View from the Artist’s Window, Grove Street (ca. 1900)

Robert Frederick Blum (American, 1857–1903)

Sunlight slants across brick walls, softening the sharp edges of rooftops. A glimpse through the window frames laundry fluttering between buildings—ordinary life caught in quiet harmony. The city breathes beyond the pane, intimate yet distant, bathed in muted afternoon tones.
Portrait of a Young Woman (1891)

Albert Edelfelt (Finnish, 1854–1905)

A young woman gazes past the frame, her expression unreadable. Soft light brushes her cheek, catching the delicate lace at her collar. There’s a quiet tension in her stillness—something held back, something waiting. The brushwork lingers on the warmth of her skin against the muted background.
Dreams (ca. 1861)

Frederic William Burton (Irish, unknown)

A woman’s face, half-lit in shadow, drifts between sleep and waking. Her lips part slightly, as if whispering to unseen figures in the dark. The folds of her nightgown catch the faintest glow—something lingers just beyond the edge of vision.
Glaneuse (1894)

William Bouguereau (French, 1825–1905)

A woman bends in the golden field, her rough hands gathering stray stalks. The sun beats down on her bent back, her simple dress brushing the earth. This is the quiet labor that feeds nations, unseen but unbroken.
Bord de Loire au clair de lune (1911)

Ferdinand du Puigaudeau (French, 1864–1930)

Moonlight glows on the river’s surface, rippling between dark banks. Shadows blur into the water’s edge, dissolving trees and sky into a single hushed moment. The night hums, alive yet still, as if holding its breath beneath the silver light.
Autumn Landscape With Shepherd, Dog And Sheep

Jasper Francis Cropsey (American, 1823–1900)

Golden leaves rustle as the shepherd pauses, his dog alert beside him. Sheep graze lazily in the crisp autumn light, their wool blending with the fiery hues of the hills. A quiet moment stretches between man and nature, undisturbed but for the whisper of wind through the trees.
The First Spring (1890)

Julius Leblanc Stewart (American, 1855–1919)

A woman in a flowing white dress stands by a sunlit window, her hand resting lightly on the sill. Outside, the first green hints of spring blur into soft focus. The air feels fresh, alive—a quiet moment poised between winter’s end and the season’s full bloom.
Hidden Treasure (1901)

Adam Emory Albright (American, 1862–1957)

Two boys kneel by a stream, their hands deep in the water. One holds up a small, glinting object—his face alight with discovery. The sunlight dances on the ripples around them, turning the ordinary into something secret, something theirs.
Maud Muller (1882)

George Elgar Hicks (English, 1824–1914)

A young woman pauses mid-task, her sunlit face turned toward something unseen. The hayfork in her hand suggests labor, but her distant gaze hints at thoughts far beyond the field. The folds of her simple dress catch the light, blending rustic reality with quiet longing.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.012 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, both twisted into bizarre, almost alien forms. The sea’s strangest creatures, frozen mid-motion, as if plucked from a fevered dream of the deep.
Southern street scene

Leontine von Littrow (Austrian, unknown)

Sunlight slants across cobblestones, casting long shadows from weathered buildings. A lone figure moves down the narrow street, their silhouette dissolving into the warm haze. Shutters hang slightly ajar, hinting at lives unfolding just beyond view. The air hums with quiet energy—a moment suspended in golden light.
Little girl in front of a house (1931)

Tadeusz Makowski (Polish, 1882–1932)

A child stands solemn before a weathered house, her small figure framed by rough wooden planks. The muted colors and angular shapes lend the scene an air of quiet mystery—neither playful nor sad, but weighted with unspoken stories.
The House Maid (1910)

William McGregor Paxton (American, 1869–1941)

A young maid pauses mid-task, sunlight catching the folds of her apron. The quiet rhythm of domestic life holds her in a moment of stillness, the weight of her unseen labor lingering in the air. The room hums with unspoken stories.
Fair Rosamund

John William Waterhouse (British, 1849-1917)

Rosamund’s delicate fingers hover over the golden thread, her gaze distant. The labyrinth’s walls loom behind her—silent, foreboding. A single misstep, and the queen’s wrath will find her. The tapestry in her lap remains unfinished, its pattern as tangled as her fate.