Explore Artworks

A Gèdres (Basses Pyrénnées) (circa 1878)

Henri Stanislas Rouart (French, 1833–1912)

Rolling hills stretch under a muted sky, their slopes dotted with sparse trees. The land folds into shadowed valleys, rough textures softened by distance. A quiet path winds through, barely touched by human presence—just earth and air holding their breath.
Gardens Of The Generalife, Granada

Santiago Rusiñol (Spanish, 1861–1931)

Sunlight filters through cypress trees, casting dappled shadows on the tiled pathways. Water murmurs in hidden fountains, weaving through the geometric patterns of hedges. The air smells of orange blossoms and damp stone—a quiet corner of Granada where time moves differently.
Soap Bubbles (ca. 1859)

Thomas Couture (French, 1815–1879)

A boy leans in, eyes wide, as a fragile soap bubble floats between his fingers. The shimmering sphere catches the light, its fleeting beauty mirrored in his rapt expression. Around him, other children watch, their faces alight with wonder at this tiny, transient world about to vanish.
Au Jardin des Hespérides (Garden of Hesperides) (1913)

George Barbier (French, 1882–1932)

Golden apples glow among twisting branches, guarded by nymphs draped in flowing silks. The air hums with myth—a paradise where time lingers, lush and forbidden. Every leaf seems to whisper secrets of the gods.
The Satyr Tragopan (1918-1922)

Archibald Thorburn (Scottish, 1860–1935)

A crimson-feathered Satyr Tragopan perches among mossy branches, its jewel-like plumage glowing against the muted greens. The bird’s intense gaze and raised crest suggest sudden alertness—perhaps a distant call or rustle in the undergrowth. Watercolor strokes mimic the dappled forest light filtering through leaves.
Beauty of the Tyrol (1880)

Franz von Defregger (Austrian, 1835–1921)

A young woman in traditional Tyrolean dress stands against a rugged alpine backdrop, her gaze steady. The folds of her skirt catch the light, echoing the textures of the landscape behind her. There’s quiet strength in her posture, an unspoken bond between people and place.
Unidentified Fish (9)

Luigi Balugani (Italian, 1737–1770)

A slender fish with delicate fins hovers against pale paper, its scales rendered in precise watercolor strokes. The creature seems both familiar and strange—an enigma suspended in muted blues and grays, waiting to be named.
The convalescent

John Bostock (English, unknown)

A figure rests in dim light, wrapped in blankets, their face turned away. The room holds a quiet tension—recovery hangs in the air, fragile and uncertain. Shadows cling to the edges, as if waiting to see if strength returns or fades. The moment feels suspended between healing and relapse.
Tänzerin auf der Bühne (circa 1940)

Brynolf Wennerberg (Swedish, 1866–1950)

A lone dancer twists mid-air, limbs slicing through the stage lights. The brushstrokes crackle with movement—every line thrums with the tension between control and abandon. Not a performance, but the raw electricity of a body in motion, frozen at its most precarious moment.
Still Life with Daffodils (ca. 1885–95)

John Singer Sargent (American, 1856-1925)

Sunlight spills across the table, catching the daffodils’ yellow petals. They tilt in their vase, stems bending slightly under their own weight. The brushstrokes blur the edges, as if the flowers might dissolve into the air. A quiet tension—between freshness and decay, between bloom and wilt.
Portrait of a Lady (La Bella) (1536-1538)

Titian (Italian, c. 1488-1576)

A woman in rich blue silk gazes past the viewer, her hand resting lightly on her fur-trimmed robe. Gold embroidery glints against deep fabric folds, framing her serene yet distant expression. The play of light on pearls and velvet draws the eye, hinting at untold stories behind her composed demeanor.
Yellow-Naped Parrakeet (1884-1887)

Alexander Francis Lydon (English, 1836–1917)

A vibrant yellow-naped parakeet perches among lush foliage, its emerald feathers glinting. The watercolor captures each delicate feather with precision, the bird’s sharp gaze frozen mid-turn. A flash of crimson streaks its wings—nature’s bold signature against the green.
Variations in Golden and Amherst Pheasant hybrids. (1918-1922)

Henrik Gronvold (Danish, unknown)

Golden and Amherst pheasants intertwine in delicate watercolor strokes, their hybrid plumage a riot of iridescent hues. Each feather seems alive, shifting between copper, emerald, and sapphire under an unseen light. The birds’ postures suggest both tension and harmony—a fleeting balance between wild instinct and unnatural beauty.
Study of a streetwalker for the painting “East” (1910)

Jan Ciągliński (Polish, 1858–1913)

A lone woman pauses under dim streetlights, her figure sketched with loose, urgent strokes. The shadows cling to her like a second skin, blurring the edges between her and the night. A fleeting glimpse of urban life, raw and unfinished.
Jeune femme dans l’intérieur

Georges d'Espagnat (French, 1870–1950)

A woman sits in a sunlit room, her posture relaxed yet poised. Warm light spills across the floor, catching the folds of her dress. The air feels still, intimate—like a quiet afternoon suspended in time. There’s something unspoken in her gaze, just beyond reach.