Explore Artworks

Valley of the Vistula from Zwierzyniec (1905)

Jacek Malczewski (Polish, 1854–1929)

Golden light spills over the Vistula’s bends, turning the river into liquid amber. The Polish countryside stretches beyond, hushed and waiting—a landscape caught between dream and memory. Something lingers just beyond the trees, half-seen, like a whisper you can’t quite catch.
A Solicitation (1878)

Lawrence Alma-Tadema (English, 1836–1912)

A woman leans forward on a marble bench, her fingers tracing the edge of an open letter. Sunlight spills across the mosaic floor, catching the folds of her draped gown. The air hums with unspoken tension—a quiet plea hangs between the words on the page and her lowered gaze.
Pomps And Vanities (1917)

John Collier (English, 1850–1934)

A woman draped in lavish silks gazes past the viewer, her expression unreadable. The opulence around her—gleaming jewels, rich fabrics—contrasts with something distant in her eyes. Is it weariness? Resignation? The trappings of grandeur seem to weigh heavier than they adorn.
Sleeping Venus (1510)

Giorgione (Italian, unknown)

A nude woman lies asleep in a sunlit landscape, her body curved like the hills behind her. One arm rests above her head, the other draped across her thigh. The scene feels both intimate and distant, as if we’ve stumbled upon something private yet eternal.
Old Black Joe (1943)

Horace Pippin (American, 1888–1946)

A weathered face stares out, deep lines carved by time and hardship. The eyes hold quiet strength, a lifetime of stories unspoken. Warm tones soften the stern features, hinting at resilience beneath the weariness. It’s a gaze that lingers, pulling you into its silent narrative.
Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919) (1897)

Anders Zorn (Swedish, unknown)

A woman in black lace gazes past the viewer, her poised elegance softened by the play of light on her face. The brushstrokes blur formality into something alive, fleeting—a moment caught between restraint and quiet emotion.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.031 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spiny crabs and crimson crayfish, their scales shimmering in impossible hues. The seafloor teems with creatures both familiar and bizarre—each twist of a tail, each claw’s curve, defying expectation. A world where nature’s palette runs wild.
River Landscape

Eugène Galien-Laloue (French, 1854–1941)

Sunlight glints off the river’s lazy curve, where poplars lean like gossiping neighbors. A dirt path winds past cottages with smoke curling from chimneys—someone’s just stoked the fire. The water holds the sky’s pale blue, but deeper, slower, as if time itself pooled here between the banks.
Notorynchus cepedianus (Tas)_ Broad seven-gill shark (before 1870)

Frank Edward Clarke (New Zealander, 1864–1935)

The broad seven-gill shark glides through the page, its jagged teeth bared, gills flared—a predator frozen mid-hunt. Shadows cling to its sleek body, every scale rendered with clinical precision. This isn’t just a drawing; it’s a silent snarl from the deep.
De uitlandsche kapellen voorkomende in de drie waereld-deelen, Asia, Africa en America pl13 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Delicate wings unfurl in precise engravings, each vein and spot meticulously recorded. These butterflies, frozen mid-flight, reveal nature’s intricate patterns—a silent dance of color and form across continents.
Portrait Of A Girl

Albert Anker (Swiss, 1831–1910)

A young girl gazes directly at the viewer, her clear eyes holding quiet confidence. The soft light catches the folds of her white dress and the faint blush on her cheeks. There’s an unspoken story in her steady expression—neither smiling nor solemn, just present, as if pausing mid-thought.
The Immaculate Conception (1874)

Jean-Joseph-Benjamin Constant (French, 1845–1902)

A radiant Virgin Mary floats amid golden light, her blue robes swirling as angels gather below. Divine rays pierce the clouds, casting an otherworldly glow across the scene. The composition balances earthly weight with celestial grace, drawing the eye upward toward the sacred figure at its heart.
Marie Krøyer (1891)

Peder Severin Krøyer (Danish, unknown)

A woman stands by the shore, her pale dress catching the sea breeze. The light plays across her face—soft yet restless, like the water behind her. There’s something unspoken in her gaze, a quiet tension between stillness and motion. The moment feels fleeting, already slipping away.
The Satyr Tragopan (Tragopan satyra). (1918-1922)

Archibald Thorburn (Scottish, 1860–1935)

A crimson-feathered Satyr Tragopan perches among mossy branches, its vivid blue facial wattles stark against the muted greens. The bird’s intense gaze and flared plumage suggest a moment of alertness—perhaps sensing a distant threat or rival in the dense undergrowth.
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.061 (1841)

Lorenz Oken (German, unknown)

Delicate veins branch across translucent leaves, each curve etched with precision. A hidden world unfolds—petals unfurl, stems twist, nature’s geometry laid bare in ink. No flourish escapes the page; every thorn and tendril holds its place. Here, science and art share the same sharp line.