Explore Artworks

Her Leisure Hour (ca. 1925)

Irving Ramsay Wiles (American, 1861–1948)

A woman lounges in quiet repose, sunlight draping her form. The folds of her dress pool around her, soft against the chair. A book rests forgotten in her lap—distracted or simply lost in thought. The room hums with unspoken stillness, that rare pause between one moment and the next.
Calypso Island (1897)

Herbert James Draper (English, 1863–1920)

A lone woman stands on jagged rocks, her gown rippling like the restless sea. Waves crash below as she gazes beyond the horizon—neither welcoming nor wary, but utterly untamed. The ocean’s salt hangs in the air, and for a moment, you wonder if she’ll step forward or dissolve into the spray.
Still Life with Flowers (1905)

Odilon Redon (French, 1840–1916)

A cluster of blooms floats against darkness, petals glowing like embers. Their forms blur between real and imagined—soft edges dissolving into shadow. This is no ordinary bouquet; these flowers hum with hidden life, pulsing just beyond sight. Something stirs beneath their delicate surfaces.
Dziecko przed domem (1924)

Tadeusz Makowski (Polish, 1882–1932)

A child stands alone before a house, their small figure dwarfed by angular walls. The scene hums with quiet tension—something unseen lingers in the stark geometry of the building, the way shadows cling to the child’s silhouette. Poland’s muted colors whisper a story half-told.
Butterfly (1890)

Albert Bierstadt (American, 1830–1902)

Delicate wings unfurl in precise watercolor strokes—a butterfly suspended mid-flight, every vein and iridescent scale rendered with scientific clarity. The creature hovers between specimen and living thing, frozen yet weightless.
Lycoperdon enchinatum (1915-1945)

Hans Walty (Swiss, 1868-1948)

Spiny, globular, and strangely delicate—this fungus emerges from the page with precise, almost scientific detail. The engraving’s fine lines trace each bristling protrusion, transforming a humble puffball into something alien yet familiar.
Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue (1880)

Édouard Manet (French, 1832–1883)

A woman sits in dappled sunlight, her white dress pooling around her. The parasol rests beside her, forgotten. Shadows play across her face—neither smiling nor solemn, just present. Beyond her, the world blurs into loose brushstrokes, as if reality itself might dissolve at any moment.
Fauna japonica Pl.082 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings spread across the page, veins traced with scientific precision. A Japanese beetle rendered in ink, its carapace gleaming as if still alive beneath the paper. The specimen seems ready to crawl off the page, frozen mid-motion by an unseen hand.
1870 [Women’s fashion in nineteenth-century Paris] (1902)

Henri Boutet (French, 1851–1919)

A Parisian woman adjusts her gloves, the intricate lace of her gown catching the light. The corset’s silhouette and cascading skirts speak of an era where fashion was both armor and art. Every fold, every ribbon, a silent declaration of status and style.
Scarus croicensis, The red Parrot-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

The red parrot-fish glides through coral shadows, scales shimmering like wet silk. Its beak-like mouth, built for scraping algae, hints at a life spent reshaping reefs. Every engraved line traces the creature’s motion—not just a specimen, but a pulse of the ocean caught in ink.
Summer (1890)

Frank Weston Benson (American, 1862–1951)

Sunlight dapples through the trees as a woman in white lounges on the grass, her hat tipped back. The breeze carries the scent of warm earth and crushed stems. Nearby, another figure bends to gather flowers, their skirts brushing against the long summer grass. Lazy afternoon light pools around them.
Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain) (1902)

John Singer Sargent (American, 1856-1925)

A poised woman in a flowing white gown gazes past the viewer, her gloved hand resting lightly on a chair. The soft folds of fabric and subtle play of light suggest quiet elegance, while her distant expression hints at unspoken thoughts. The portrait balances refinement with an air of mystery.
Madonna of the Carnation (circa 1475)

Leonardo da Vinci (Italian, 1452-1519)

A young mother cradles her child, fingers brushing a bright carnation. The flower’s red petals echo the delicate folds of her sleeve, while the infant reaches with curious hands. Light spills across their faces, softening the quiet intimacy of the moment.
Still Life of Oranges and Lemons with Blue Gloves (1889)

Vincent van Gogh (Dutch, 1853–1890)

Sunlight glows through citrus skins, their bright curves resting beside crumpled blue gloves. The gloves lie empty, fingers curled as if just pulled off. A quiet tension hums between the vibrant fruit and the abandoned workwear—something paused, unfinished. The air smells of zest and damp cotton.
Boletus bulbosus (1915-1945)

Hans Walty (Swiss, 1868-1948)

A bulbous mushroom rises from the page, its gills precise as folded paper. The stem curves slightly, weighted by the cap’s dark underside. Every line is deliberate, as if the fungus pressed itself into the paper to be studied.