Explore Artworks

  • The Broken Pitcher (1891)

    The Broken Pitcher (1891)

    William Bouguereau (French, 1825–1905)

    A young girl holds a broken pitcher in a sunlit field, her expression blending innocence with quiet regret.

  • Tucked Up (1904)

    Tucked Up (1904)

    Frederick George Cotman (English, 1850–1920)

    A tender yet unsentimental portrayal of rural laborers resting in golden hay, bathed in twilight’s fading glow.

  • Water Nymph (1907)

    Water Nymph (1907)

    Paul Swan (American, 1883–1972)

    A mesmerizing depiction of a mythical figure emerging from water, blending realism with dreamlike fluidity.

  • In Glen Falloch

    In Glen Falloch

    David Bates (English, 1952–)

    A dynamic portrayal of the Scottish Highlands, where bold brushwork and shifting light evoke the untamed spirit of Glen Falloch.

  • Nymphéas (fragment) (circa 1912)

    Nymphéas (fragment) (circa 1912)

    Claude Monet (French, 1840–1926)

    A luminous fragment of Monet’s water lilies, where reflections and reality dissolve into vibrant brushstrokes.

  • Gleaners

    Gleaners

    Jean-François Millet (French, 1814–1875)

    Three women gather fallen grain in a sunlit field, their quiet labor immortalized with profound empathy.

  • Fauna japonica Pl.010 (1833-1850)

    Fauna japonica Pl.010 (1833-1850)

    Philipp Franz Balthasar von Siebold (German, 1796–1866)

    A vivid exploration of Japan’s wildlife, blending scientific detail with artistic elegance in delicate brushwork.

  • The Red Kerchief (c. 1868–73)

    The Red Kerchief (c. 1868–73)

    Claude Monet (French, 1840–1926)

    A woman in a red kerchief moves past a frosted window, her figure blurred yet vivid against the winter light.

  • Marjorie and Little Edmund (1928)

    Marjorie and Little Edmund (1928)

    Edmund Charles Tarbell (American, 1862–1938)

    A tender portrayal of familial warmth, bathed in soft light and delicate brushwork.

  • Bords De La Seine En Automne (1876)

    Bords De La Seine En Automne (1876)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where autumn colors melt into the Seine’s reflections, alive with Monet’s loose, luminous brushwork.

  • Le Passage des oies sauvages (circa 1862-63)

    Le Passage des oies sauvages (circa 1862-63)

    Jean-François Millet (French, 1814–1875)

    Wild geese streak across a brooding sky, their flight a silent dance over an endless stretch of land.

  • Laura In Yellow (1900)

    Laura In Yellow (1900)

    Alice Pike Barney (American, 1857–1931)

    A luminous portrait where yellow light and loose brushstrokes blur the line between subject and atmosphere.

  • The cat at play (c. 1860 – c. 1878)

    The cat at play (c. 1860 – c. 1878)

    Henriëtte Ronner-Knip (Dutch, 1821–1909)

    A playful cat mid-pounce, its energy and curiosity brought to life through delicate brushstrokes and warm light.

  • Neige et givre (1910)

    Neige et givre (1910)

    Emmanuel de La Villéon (French, 1858–1944)

    A delicate winter scene where frost turns weeds into shimmering lace, painted with thick, textured strokes.

  • A Coign of Vantage (1895)

    A Coign of Vantage (1895)

    Lawrence Alma-Tadema (English, 1836–1912)

    Two women on a sunlit marble balcony, absorbed in a distant view, framed by intricate Roman details.