Explore Artworks

Birch Forest (1903)

Gustav Klimt (Austrian, 1862–1918)

Slender birch trunks rise like pale ghosts, their black markings stark against the dappled light. The forest floor shimmers with golden leaves, a silent carpet beneath the vertical dance of trees. Each slender form repeats into the distance, creating a rhythm that pulls the eye deeper into the woods.
Battledore (1868-1870)

Albert Joseph Moore (English, 1841–1893)

A woman in flowing drapery holds a battledore, poised mid-motion. The folds of her gown ripple with restrained energy, frozen between stillness and action. Victorian elegance meets classical grace, the shuttlecock suspended just beyond the frame—anticipation hangs in the air like an unplayed note.
A popular courtesan

Stéphane Baron (French, unknown)

A woman lounges in silk, her gaze both inviting and distant. The folds of her dress catch the light, rich fabrics whispering luxury. There’s power in her ease—a courtesan who commands the room without lifting a finger. Every detail hums with unspoken stories.
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.029 (1841)

Lorenz Oken (German, unknown)

Delicate veins branch across translucent leaves, each curve precise as a surgeon’s incision. The engraving freezes their unfurling—not just plants, but architectures of light and shadow. Here, botany becomes blueprint.
Landscape of a small town with children in a pram (1924)

Tadeusz Makowski (Polish, 1882–1932)

A cobbled street winds past pastel houses, sunlight dappling the stones. Two children peer from a pram, their wide eyes taking in the quiet bustle of the town. The scene hums with muted color and the soft geometry of tilted roofs, a moment suspended between childhood wonder and the rhythm of daily life.
Interior, Light Of Spring

Carl Holsøe (Danish, unknown)

Sunlight spills across the wooden floor, pooling around a chair left slightly askew. A vase of fresh blooms sits on the table, their petals catching the glow. The room holds its breath, suspended in the quiet warmth of a spring morning. Shadows stretch lazily, marking time’s slow passage.
Arranging the Tulips (before 1928)

Gari Melchers (American, 1860–1932)

Soft light spills across the table, illuminating a cluster of tulips in mid-arrangement. Their petals—crimson, gold, and cream—curl slightly at the edges, as if caught between the vase and the gardener’s hand. The stems lie scattered, waiting to find their place.
Un repas à deux

Victor Gabriel Gilbert (French, 1847–1935)

Two figures sit at a table, bathed in warm lamplight. The quiet clink of cutlery, the hush of conversation—every detail pulls you into their shared moment. The scene feels intimate, ordinary, yet charged with something unspoken. You lean in, wondering what’s left unsaid between them.
Portrait Of An Italian Man

Jean-Léon Gérôme (French, 1824–1904)

A weathered face stares from the canvas, dark eyes holding quiet intensity. The man’s furrowed brow and strong jawline suggest years of hard labor, yet his tilted head carries an unexpected dignity. Wrinkles trace a life lived fully across his sun-worn skin.
A Blustery Day (c. 1860s)

Frederik Hendrik Kaemmerer (Dutch, 1839–1902)

Skirts whip sideways, hats cling to heads—the wind snatches at everything. A couple leans into the gust, laughing as their coats billow like sails. Nearby, a dog scampers, ears flattened by the rush of air. The whole scene pulses with movement, as if the canvas itself might blow away.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.064 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. Nearby, a crimson crayfish raises its claws beside a crab with spiked armor. Each creature twists with exaggerated forms, as if plucked from a sailor’s wildest tale of the deep.
Fishes XI (1885-1890) (1)

Frederick McCoy (Irish, unknown)

Delicate watercolor strokes bring these fish to life—each scale, fin, and flicker of movement preserved with scientific precision. The colors haven’t faded; the sea might as well still ripple around them.
Le Toco. (1806)

Jacques Barraband (French, unknown)

A toucan’s beak glows against muted greens, its black feathers edged with iridescence. Watercolor strokes give life to each barb, as if the bird might blink and tilt its head any moment. The paper holds not just an image, but the weight of a living gaze.
Girl Reading

Frederick Carl Frieseke (American, 1874–1939)

A woman sits absorbed in her book, sunlight dappling the pages. The room hums with quiet warmth, her dress blending into the floral patterns around her. No urgency, just the slow turn of a page—a private world wrapped in soft light.
By Jerusalem. (1921)

Anna Boberg (Swedish, unknown)

Golden light spills over ancient stone walls, casting long shadows across the city. The air hums with quiet reverence, a timeless pause before the clamor of daily life resumes. Jerusalem stands eternal yet fleeting, caught between earth and sky.