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Flora (1517)
Titian’s ‘Flora’ from 1517 beautifully captures the goddess of spring in a graceful and colorful composition, symbolizing fertility and nature’s abundance.
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Poirier En Fleurs (1885)
Monet’s ‘Poirier En Fleurs’ beautifully captures the fleeting beauty of a pear tree in bloom, showcasing his impressionistic style focused on light and nature.
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A Girl From Frascati
“A Girl from Frascati” is an oil painting by Jean Barbault, portraying a young woman in traditional attire. The artwork delicately captures her expression and posture against a simple background, emphasizing her calmness and grace. This piece reflects Barbault’s interest in Italian rural life and his exceptional skill in portraiture.
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The Love Letter (1880)
Depicts a woman reading a love letter, showcasing the delicate style of 19th-century German painting.
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April(The Green Gown)
Hassam portrays a springtime woman with daffodils, showcasing nature’s beauty.
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Field of Poppies, Isles of Shoals (1890)
Hassam captured the natural beauty of poppy fields in the Isles of Shoals.
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Pomona (1900)
Hassam depicts Roman goddess Pomona, symbolizing cultural nurturing and heritage.
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Strawberry Tea Set (1912)
A serene domestic scene capturing a woman’s quiet contemplation by a sunlit window.
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The Sonata (1911)
Hassam’s “The Sonata” portrays the fusion of music and tranquility, capturing a reflective post-performance moment.
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Saint Romuald Refuses Emperor Otto III Admission to the Church (1435)
Fra Angelico portrays Saint Romuald denying Emperor Otto III entry, highlighting religious conviction and artistic mastery.
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Saint Romuald (c. 1440)
Fra Angelico’s portrayal of Saint Romuald exemplifies Early Renaissance religious art.
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Virgin of Humility (1433~1435)
Fra Angelico’s “Virgin of Humility” portrays a tender moment between the Virgin and Child, exuding sacred serenity.
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The Virgin and Child with St. Anne (1500-1513)
Leonardo da Vinci’s painting captures Saint Anne, the Virgin Mary, and infant Jesus in a tender moment, highlighting themes of maternal love and sacrifice.
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The Circumcision (1661)
Rembrandt’s portrayal of Jesus’ circumcision captures the blend of humanity and divinity with emotional depth.
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Simeon’s Song of Praise (1631)
“Simon’s Song of Praise,” painted in 1631, depicts an elderly Simeon in the temple, overwhelmed with joy upon seeing the infant Jesus, bathed in divine light. The scene is filled with emotion and drama, particularly through the contrast of light and shadow, which symbolizes the divine presence. Simeon’s posture and expression convey praise for God […]