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The raising of Lazarus (after Rembrandt)

Vincent van Gogh (Dutch, 1853–1890)

A shrouded figure emerges from shadow, half-alive, as bystanders recoil in awe. The air hums with tension between death and revival, light clawing at the darkness. Rembrandt’s ghost lingers in the strokes, but the scene pulses with raw, urgent energy—less a miracle, more a struggle.
Simplon – Mrs Barnard and her Daughter Dorothy (1905-1915)

John Singer Sargent (American, 1856-1925)

A mother and daughter stand in quiet intimacy, their figures softly blurred yet alive with movement. The child leans slightly into her mother’s side, a fleeting gesture of trust. Light dances across their dresses, dissolving detail into warmth—a moment suspended between stillness and motion.
Goosie, Goosie Gander (1880s)

Francis Donkin Bedford (English, 1864–1954)

A child in a nightgown tiptoes past a looming goose, eyes wide with mischief and fear. The nursery rhyme springs to life—whispers of “Goosie, Goosie Gander” hang in the air. Shadows stretch long; feathers ruffle. One wrong step, and the game begins.
The Harvest Moon

Samuel Palmer (English, 1805–1881)

Golden light spills over rolling fields, the harvest moon hanging low. Shadows stretch long across the land, bending with the curves of the earth. A quiet hum lingers in the air—ripe wheat, damp soil, the promise of rest after labor. Night settles gently, heavy with abundance.
Blumenstrauß in brauner Tonvase (ca. 1900 – 1916)

Odilon Redon (French, 1840–1916)

A loose bouquet spills from a brown vase, petals soft yet vibrant against the muted tones. The flowers seem to hover between dream and decay, their delicate forms dissolving at the edges. Something lingers beneath the surface—not just blossoms, but whispers of color and shadow.
THE BEAUTIFUL SPARUS (1789-1813) (1)

George Shaw (English, 1966–)

A shimmering fish glides through the water, its scales catching the light. The delicate brushwork brings each fin to life, as if it might flick and dart off the page at any moment. There’s a quiet precision here—every detail matters, from the gills to the subtle curve of its tail.
Innocence (1873)

William Bouguereau (French, 1825–1905)

A barefoot child sits with folded hands, eyes cast downward. White fabric drapes over small shoulders, sunlight catching the folds. A single feather rests near her feet—soft, weightless, out of place. The air feels still, as if holding its breath.
Le Champ De Blé Devant L’église (circa 1907)

Pierre Bonnard (French, 1867–1947)

Golden wheat sways before a quiet church, its steeple piercing the sky. Brushstrokes blur the boundary between field and building, as if the land itself is breathing. The colors hum—ochre, lavender, a slash of green—alive with movement yet utterly still.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.016 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. Nearby, a crimson crayfish raises its claws beside a spiked crab frozen mid-scuttle. Each creature twists with exaggerated flair—more fantastical than real, yet alive with motion. The sea’s oddities leap from the paper, demanding a second glance.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.098 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. Nearby, a spiny crab claws at the margins while crayfish twist through coral. Each creature bends reality—some striped like tigers, others spotted like leopards, all defying nature’s usual palette.
Isabella of Bourbon. First Queen of King Philip IV (1613 – 1660)

Diego Velázquez (Spanish, 1599–1660)

The stiff brocade of her gown barely moves as she turns, pearls glinting against black silk. A queen’s gaze meets yours—direct, unflinching—before the heavy curtains of the Spanish court close again.
The Rue Mosnier with Flags (1878)

Édouard Manet (French, 1832–1883)

Flags ripple above a sunlit Paris street, their bright stripes cutting through the haze. Cobblestones gleam after rain as figures move past shuttered buildings. The city hums with quiet energy—a fleeting glimpse of everyday life beneath fluttering banners.
Etruscan Vase with Flowers (1900–1910)

Odilon Redon (French, 1840–1916)

A delicate Etruscan vase overflows with vibrant blooms, their petals soft yet electric against the muted background. The flowers seem to pulse with quiet energy, as if holding secrets just beyond reach.
Pink Butterfly

Albert Bierstadt (American, 1830–1902)

A delicate pink butterfly rests on a leaf, its wings translucent against the watercolor wash. The fine veins and soft gradients suggest careful study, yet the piece feels alive—as if the insect might flutter away at any moment.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.051 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish, crayfish, and crabs twist across the page—some striped, others spiked, all rendered in exaggerated hues. The creatures seem to writhe with life, their unnatural colors and contorted forms defying expectation. A marine menagerie both fantastical and precise.