Explore Artworks

  • Resting (C. 1875)

    Resting (C. 1875)

    John Singer Sargent (American, 1856-1925)

    A serene moment of contemplation, rendered with Sargent’s signature sensitivity to light and texture.

  • Spring (1877)

    Spring (1877)

    Alfred Stevens (Belgian, 1823–1906)

    A woman in spring’s embrace, surrounded by blossoms, her expression a mix of contemplation and quiet joy.

  • Portrait of Rembrandt with a Gorget (after c. 1629)

    Portrait of Rembrandt with a Gorget (after c. 1629)

    Rembrandt van Rijn (Dutch, 1606–1669)

    A striking self-portrait where light and shadow reveal the artist’s probing gaze, framed by an unusual gorget.

  • Poplars on the Epte (1891)

    Poplars on the Epte (1891)

    Claude Monet (French, 1840–1926)

    A serene riverside scene where poplar trees dance in the light, their reflections blending with the water in a haze of color.

  • Meadow (1875)

    Meadow (1875)

    Alfred Sisley (French, 1839–1899)

    A serene Impressionist landscape where light dances across wild grasses, revealing beauty in the ordinary.

  • Haystacks (1885)

    Haystacks (1885)

    Claude Monet (French, 1840–1926)

    Golden haystacks glow under shifting light, transforming a simple field into a study of color and atmosphere.

  • Vineyards at Auvers (1890)

    Vineyards at Auvers (1890)

    Vincent van Gogh (Dutch, 1853–1890)

    A vibrant, turbulent landscape where van Gogh’s brushstrokes turn vineyards into a living, breathing force.

  • Pomegranates, Majorca

    Pomegranates, Majorca

    John Singer Sargent (American, 1856-1925)

    A luminous study of pomegranates in Mediterranean light, where rough skins split to reveal glistening seeds, balanced between stillness and decay.

  • The Broken Pitcher (1891)

    The Broken Pitcher (1891)

    William Bouguereau (French, 1825–1905)

    A young girl holds a broken pitcher in a sunlit field, her expression blending innocence with quiet regret.

  • Tucked Up (1904)

    Tucked Up (1904)

    Frederick George Cotman (English, 1850–1920)

    A tender yet unsentimental portrayal of rural laborers resting in golden hay, bathed in twilight’s fading glow.

  • Water Nymph (1907)

    Water Nymph (1907)

    Paul Swan (American, 1883–1972)

    A mesmerizing depiction of a mythical figure emerging from water, blending realism with dreamlike fluidity.

  • In Glen Falloch

    In Glen Falloch

    David Bates (English, 1952–)

    A dynamic portrayal of the Scottish Highlands, where bold brushwork and shifting light evoke the untamed spirit of Glen Falloch.

  • Nymphéas (fragment) (circa 1912)

    Nymphéas (fragment) (circa 1912)

    Claude Monet (French, 1840–1926)

    A luminous fragment of Monet’s water lilies, where reflections and reality dissolve into vibrant brushstrokes.

  • Gleaners

    Gleaners

    Jean-François Millet (French, 1814–1875)

    Three women gather fallen grain in a sunlit field, their quiet labor immortalized with profound empathy.

  • Fauna japonica Pl.010 (1833-1850)

    Fauna japonica Pl.010 (1833-1850)

    Philipp Franz Balthasar von Siebold (German, 1796–1866)

    A vivid exploration of Japan’s wildlife, blending scientific detail with artistic elegance in delicate brushwork.