1866 [Women’s fashion in nineteenth-century Paris]

Henri Boutet, born on May 25, 1851, in Sainte-Hermine and passing on June 9, 1919, in Paris, was a distinguished French draftsman and engraver, often celebrated as the 'petit maître du corset' or the 'painter of the midinette'. His artistic journey began in a family of artisans, with his father being a goldsmith and his grandfather an innkeeper in Sainte-Hermine. Boutet's early collaboration with Henri Second in directing the review L'Art moderne (1882–1883) marked his entry into the world of art, where his contributions included notable engravings. His illustration for Jean-Louis Dubut de Laforest's play, Le Rêve d'un Viveur, showcased his burgeoning talent. During the 1890s, Boutet carved a niche for himself with etchings and drypoints depicting women in déshabillé, embodying the 'Parisienne' style, which garnered acclaim among connoisseurs. His limited edition prints led him to establish his own publishing house, supplying works to prominent periodicals and artistic publications. Boutet's oeuvre extended to illustrating almanacs, calendars, and menus, reflecting his versatility. His involvement in the cultural and political milieu was evident when he signed the Ligue de la patrie française's declaration during the Dreyfus affair, aligning with a moderately nationalist stance devoid of antisemitism. Boutet's legacy includes significant works like Autour d'elles – Le lever – Le coucher and Les Modes féminines du XIXe siècle, the latter a comprehensive visual chronicle of women's fashion evolution from 1801 to 1900. His participation in the Salon des arts incohérents and the Salon des Cent further cemented his status in the art world. Boutet's personal life saw his daughter Jeanne marry Paul Guignebault, a painter-engraver and his student, intertwining his professional and familial spheres.