A kneeling female nude in a landscape

A painter of luminous landscapes and intimate portraits, his work bridged the delicate refinement of Impressionism with the structured elegance of academic tradition. Born to a family of Franco-British heritage, he studied at the École des Beaux-Arts in Paris before becoming a close associate of John Singer Sargent, even assisting on the murals for the Boston Public Library. Though often overshadowed by his more famous collaborator, his own canvases reveal a quieter, more introspective sensibility—sun-dappled gardens, serene riverbanks, and figures caught in moments of quiet reflection. De Glehn’s palette favored soft, atmospheric harmonies, with a particular knack for capturing the interplay of light and shadow. His travels through Europe, especially Provence and Cornwall, infused his work with a sense of place, though never at the expense of emotional depth. Later in life, he turned increasingly to portraiture, where his ability to convey personality without ostentation shone. While not a radical innovator, his art remains a testament to the enduring appeal of lyrical realism—a bridge between 19th-century tradition and the looser, more expressive styles that followed.