Carnation, Lily, Lily, Rose (1885) by John Singer Sargent
Title
Carnation, Lily, Lily, Rose
Artist
John Singer Sargent (1856-1925), American
Date
1885
Medium
Oil on canvas
Collection
Tate Britain
3330 x 3762 pixels, JPEG, 8.74 MB
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Artwork Story
John Singer Sargent’s *Carnation, Lily, Lily, Rose* captures a fleeting moment of twilight magic, where two young girls in white dresses light paper lanterns amidst a garden bursting with flowers. The soft glow of the lanterns mingles with the fading daylight, casting an ethereal haze over the scene. Sargent painted this outdoors at dusk, chasing the perfect light—sometimes working for just minutes a day when conditions aligned. The flowers, particularly the lilies and roses, seem to pulse with life, their petals almost trembling in the warm air. It’s a painting that feels alive, as if you could step into the garden and hear the rustle of skirts against the grass.
What makes this work so mesmerizing is its balance between realism and dreaminess. The girls’ faces are softly blurred, as if caught mid-movement, while the flowers are rendered with astonishing precision. Sargent’s brushwork shifts effortlessly from delicate strokes in the petals to looser, almost impressionistic touches in the background. There’s a quiet joy here, a celebration of childhood innocence and the transient beauty of nature. The title, taken from a popular song of the time, hints at the painting’s musical rhythm—the way the lanterns and flowers seem to sway in unison, like notes on a page.
John Singer Sargent (1856-1925), American, was an expatriate artist, celebrated as one of the greatest portrait painters of his time. Although born in Florence, Italy, to American parents, Sargent spent most of his life in Europe, and his work reflects a sophisticated international perspective. From a young age, Sargent showed extraordinary artistic talent. He studied at the École des Beaux-Arts in Paris under the guidance of Carolus-Duran, whose teachings encouraged confident, expressive brushwork. Sargent quickly developed a signature style that combined technical precision with bold, fluid strokes. A defining moment in his career came in 1884 when he exhibited Portrait of Madame X at the Paris Salon. Intended to showcase his brilliance, the painting caused a scandal due to its suggestive pose and daring attire. The backlash damaged his reputation in Paris, prompting him to relocate to London. In London, Sargent rebuilt his career with remarkable resilience. His portraits of British aristocrats, American elites, and artistic celebrities were lauded for capturing not only physical likeness but also psychological depth. He became the most sought-after portraitist in both Europe and the United States. Despite this success, Sargent eventually grew tired of portrait commissions. He once declared, “No more mugs!” In his later years, he turned his focus to landscapes and watercolors, traveling widely to Venice, the Alps, and the Middle East. These works revealed a more relaxed and impressionistic side of his artistry. Sargent died in London in 1925, leaving behind a legacy of over 900 oil paintings and 2,000 watercolors. His work continues to inspire artists and audiences alike, admired for its brilliance, elegance, and psychological insight.