Die Schifferin (Baronin Marie Spaun am Gmundner See) (1851) by Moritz von Schwind
Title
Die Schifferin (Baronin Marie Spaun am Gmundner See)
Artist
Moritz von Schwind (1804–1871), German
Date
1851
Medium
Oil on canvas
Collection
Belvedere Museum
2311 x 3508 pixels, JPEG, 7.24 MB
Once payment is complete, the download link will be sent to your payment email.
Public Domain Content: Free for Personal & Commercial Use.
About the Artist
Moritz von Schwind (1804–1871), German, A master of Romantic storytelling through art, this Austrian painter and illustrator brought fairy tales, legends, and medieval chivalry to life with a distinctive blend of whimsy and precision. His works often shimmer with a lyrical quality, merging the fantastical with an almost musical sense of composition—no surprise, given his close friendships with composers like Franz Schubert. Though rooted in the Biedermeier era’s detail-oriented style, his paintings and frescoes transcended mere prettiness, delving into the psychological undertones of folklore. Knights, elves, and wandering minstrels populate his scenes, but they’re never mere caricatures; even his most playful subjects carry a hint of melancholy or quiet wisdom. Major commissions, like the frescoes for Vienna’s Opera House and Munich’s Hohenschwangau Castle, cemented his reputation as a narrative artist par excellence. Yet he was equally adept at intimate scenes—a lone traveler under towering oaks, or a gossiping trio of woodland spirits—where his knack for capturing atmosphere shone. Critics sometimes dismissed his work as overly decorative, but his influence rippled through later Symbolists and even early 20th-century illustrators. Moritz von Schwind’s legacy lies in his ability to make the mythical feel immediate, as if every enchanted forest or ghostly huntsman might still exist, just beyond the edge of the canvas.
Artwork Story
Moritz von Schwind’s *Die Schifferin (Baronin Marie Spaun am Gmundner See)* captures a serene moment by the water, blending portraiture with the tranquility of nature. The painting depicts Baroness Marie Spaun seated in a small boat, her figure softly illuminated against the shimmering lake and distant mountains. Schwind’s delicate brushwork brings out the textures of her flowing dress and the rippling water, while the muted greens and blues evoke a dreamlike stillness. There’s an intimacy in her contemplative gaze, as if she’s lost in thought, framed by the quiet beauty of the Austrian landscape.
The scene feels both personal and universal—a fleeting pause in time where human presence harmonizes with the natural world. Schwind, known for his romantic sensibility, infuses the work with subtle emotion, avoiding grandeur for something quieter and more introspective. The play of light on the water and the gentle curve of the boat create a rhythmic balance, drawing the viewer into the baroness’s solitary reverie. It’s a painting that lingers, not for its drama, but for its quiet poetry.