Madame X (Madame Pierre Gautreau) (1884) by John Singer Sargent

  • Title
     Madame X
  • Artist
    John Singer Sargent (1856-1925), American
  • Date
    1884
  • Medium
    Color in page
  • Collection
    The Metropolitan Museum of Art
  • 1895 × 3680 pixels, JPEG, 2.4 MB
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  • Public Domain Content: Free for Personal & Commercial Use.

About the Artist

John Singer Sargent (1856-1925), American, was an expatriate artist, celebrated as one of the greatest portrait painters of his time. Although born in Florence, Italy, to American parents, Sargent spent most of his life in Europe, and his work reflects a sophisticated international perspective.
From a young age, Sargent showed extraordinary artistic talent. He studied at the École des Beaux-Arts in Paris under the guidance of Carolus-Duran, whose teachings encouraged confident, expressive brushwork. Sargent quickly developed a signature style that combined technical precision with bold, fluid strokes.
A defining moment in his career came in 1884 when he exhibited Portrait of Madame X at the Paris Salon. Intended to showcase his brilliance, the painting caused a scandal due to its suggestive pose and daring attire. The backlash damaged his reputation in Paris, prompting him to relocate to London.
In London, Sargent rebuilt his career with remarkable resilience. His portraits of British aristocrats, American elites, and artistic celebrities were lauded for capturing not only physical likeness but also psychological depth. He became the most sought-after portraitist in both Europe and the United States.
Despite this success, Sargent eventually grew tired of portrait commissions. He once declared, “No more mugs!” In his later years, he turned his focus to landscapes and watercolors, traveling widely to Venice, the Alps, and the Middle East. These works revealed a more relaxed and impressionistic side of his artistry.
Sargent died in London in 1925, leaving behind a legacy of over 900 oil paintings and 2,000 watercolors. His work continues to inspire artists and audiences alike, admired for its brilliance, elegance, and psychological insight.

Artwork Story

Madame x (madame pierre gautreau)

John Singer Sargent’s Madame X (Madame Pierre Gautreau) (1884) is a striking portrait of Parisian socialite Virginie Amélie Avegno Gautreau, whose unconventional beauty—marked by her signature lavender-powdered skin—captivated the artist.Sargent, an American expatriate seeking recognition in Parisian high society, chose her as his subject to create a bold statement, meticulously capturing her dramatic pose in a sleek black satin gown that starkly contrasts her pale complexion. The painting sparked scandal at the 1884 Paris Salon due to its sensual undertones, particularly the original depiction of her right shoulder strap slipping provocatively off her shoulder, which critics deemed indecent. Despite Sargent’s defense of its realism, public ridicule forced him to repaint the strap to appear securely fastened, though the controversy tarnished both his and Gautreau’s reputations. Acquired by the Metropolitan Museum of Art in 1916, the work now stands as a testament to artistic ambition and the tension between societal norms and creative daring, revealing layers of intention through modern techniques like infrared reflectography that uncover Sargent’s revisions.

Click to see the A figure study of Madame X.


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Madame X (Madame Pierre Gautreau) (1884) by John Singer Sargent

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Digital product: Madame X (Madame Pierre Gautreau) (1884) by John Singer Sargent

Specs: 1895 × 3680 pixels, JPEG, 2.4 MB

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