Man with children

A vibrant yet tragically short-lived figure in Polish interwar art, his work bridged post-impressionist exuberance with a distinctly Central European melancholy. Though trained in Kraków and later at the Académie Moderne in Paris, he resisted rigid categorization, absorbing elements of Fauvism’s bold color and Cubism’s fractured perspectives while retaining a lyrical, almost theatrical sensibility. Scenes of cabarets, circus performers, and dimly lit cafés recur in his paintings, rendered with a feverish intensity—crimson lips, emerald shadows—that suggests both celebration and unease. Critics often note the tension between his technical precision (honed under Józef Pankiewicz) and the chaotic energy of his subjects, as if beauty and decay were locked in a waltz. Tuberculosis cut his career short at 39, leaving behind a fragmented but electrifying oeuvre that influenced Poland’s Kapist movement. Later rediscovered, his works now read as premonitions of a world teetering between wars, where revelry could dissolve into shadow with the turn of a brushstroke.