Mariana

A master of light and atmosphere, this Irish painter captured the elegance and dynamism of late 19th and early 20th-century society with a deft, fluid brush. Though often associated with the Glasgow Boys—a group of progressive Scottish artists—his work transcended regional labels, blending Impressionist spontaneity with a keen eye for social detail. Portraits were his forte, particularly of high-society figures, but he also excelled in landscapes and scenes of leisure, infusing them with a luminous, almost cinematic quality. Lavery’s upbringing in Belfast was marked by hardship, yet his talent propelled him to study in London, Paris, and Glasgow, where he absorbed diverse influences. His breakthrough came with *The Tennis Party* (1885), a vibrant depiction of bourgeois life that showcased his ability to balance narrative and technique. Later, as a war artist during World War I, he produced haunting works like *The Cemetery, Étaples* (1919), revealing a somber, reflective side. Despite his success—he was knighted in 1918—Lavery remained somewhat overshadowed by contemporaries like Sargent. Yet his legacy endures in his ability to distill fleeting moments into timeless compositions, whether a sun-dappled garden or the poised grace of a society hostess. His wife, Hazel, frequently appeared in his paintings, becoming an iconic muse whose image even graced Irish banknotes. Lavery’s art, at once intimate and expansive, offers a window into a world both glamorous and profoundly human.