Figurative Art Collection | Perfect for Wall Art, Prints - Page 2 of 93

La Lecon

Fanny Fleury (French, 1846–1923)

A young woman leans forward, her gaze intent on the book before her. The soft light catches the folds of her dress, the quiet intensity of learning etched in her posture. A moment suspended between instruction and understanding.
Stricken (1914)

Arthur Hacker (English, 1858–1919)

A woman clutches her chest, eyes wide with sudden pain. The folds of her dress twist as she stumbles, one hand grasping empty air. Shadows deepen around her, swallowing the light. A single moment frozen—breath caught, body mid-fall, the world tilting irrevocably.
Diana Leaving Her Bath

Guillaume Dubufe (French, 1853–1909)

Diana steps from the water, her body half-turned as if caught between retreat and defiance. The forest air still clings to her skin, droplets glistening like scattered pearls. A hunter’s poise lingers in her limbs, though the bow lies forgotten—for now.
A classical beauty (1889)

Luis Ricardo Falero (Spanish, 1851–1896)

A woman stands draped in flowing fabric, her gaze distant yet magnetic. The soft glow around her suggests something otherworldly, as if she’s stepped from myth into reality. Every fold of cloth, every strand of hair feels alive—not just a figure, but a presence.
The Two Central Figures in Derby Day (1860)

William Powell Frith (English, 1819–1909)

Two well-dressed men stand at the heart of a swirling crowd—one leans in with eager intensity, the other smirks with detached amusement. Around them, hats tilt, necks crane, and money changes hands. The Derby’s chaos pulses, but these two hold the center, locked in their private contest.
At the Gingerbread Booth (1907)

Gustav August Hessl (Austrian, unknown)

A wooden booth piled high with golden gingerbread, its warm spice scent almost tangible. Crowds press close, hands reaching for the crisp treats. The scene hums with the simple joy of a market day, where sugar and dough weave fleeting comfort into the chill air.
The Reader

Carl Holsøe (Danish, unknown)

A woman sits absorbed in her book, the lamplight pooling around her. The quiet room holds its breath, shadows deepening in the corners. Pages turn softly, the only sound in the stillness. Outside the window, dusk settles, but she doesn’t look up. The story has her now.
Joseph (‘Joe’) Chamberlain (1896)

John Singer Sargent (American, 1856-1925)

A stern, confident gaze meets the viewer—sharp features framed by a dark suit. The portrait exudes quiet authority, every brushstroke reinforcing the subject’s unshakable presence. There’s weight in his stillness, as if he’s about to speak.
Petit Garcon

Tadeusz Makowski (Polish, 1882–1932)

A boy stares solemnly, his round face framed by a dark cap. The simplicity of his expression holds something unspoken—neither joy nor sorrow, just the quiet weight of childhood. His eyes seem to carry a world beyond the canvas.