Figurative Art Collection | Perfect for Wall Art, Prints - Page 3 of 93

Solitude (circa 1890)

Frederic Leighton (English, 1830–1896)

A woman sits alone, draped in flowing fabric, her gaze distant. The quiet weight of her isolation fills the space around her, untouched by time or noise. Shadows cling to the folds of her dress, deepening the hush. She doesn’t seem to notice—or perhaps she prefers it this way.
Portrait de Femme au turban fleuri

Léon François Comerre (French, 1850–1916)

A woman gazes past the viewer, her turban crowned with delicate blooms. The soft folds of fabric frame her face, catching the light like petals. There’s a quiet defiance in her eyes—unhurried, unbothered. The flowers seem to whisper something she already knows.
Nonchalance

William McGregor Paxton (American, 1869–1941)

A woman lounges in a sunlit room, her gaze distant yet deliberate. The folds of her dress drape effortlessly, catching the light with quiet elegance. There’s an unspoken ease in her posture, as if time itself hesitates to disturb her. The scene lingers—unhurried, untroubled, utterly present.
Contes de Perrault (1904)

A. Guillon (French, unknown)

A wolf lurks in the shadows, eyes gleaming, as Little Red Riding Hood clutches her basket. The forest looms dark behind her, branches twisting like grasping fingers. The scene hums with quiet menace—a familiar tale poised to unfold in hushed, dreadful steps.
Portrait de Madame Jean Maillard-Norbert (1913)

Léon François Comerre (French, 1850–1916)

A woman gazes past the viewer, her dark eyes holding quiet confidence. The soft folds of her dress contrast with the sharp line of her jaw, while delicate lace at her collar hints at restrained elegance. There’s a story in her poised stillness—just beyond reach.
Happy as the Day is Long (1881)

Edward Killingworth Johnson (English, 1825–1896)

A sunlit garden, laughter hanging in the air—children chase butterflies while a woman watches, her smile quiet but bright. The scene hums with simple joy, that fleeting warmth when time slows just enough to notice happiness in ordinary moments.
A Young Girl In A Garden (1884)

Alfred Augustus Glendening (English, unknown)

A girl stands among tangled blooms, her white dress catching the sunlight. The garden hums around her—lush greens, scattered petals, the quiet weight of summer air. She seems both part of the scene and separate from it, poised between childhood and something just beyond.
Zwożenie zboża (1918)

Tadeusz Makowski (Polish, 1882–1932)

A wagon piled high with golden grain creaks through the fields, workers bent under the weight of the harvest. The scene hums with quiet labor, earth and effort woven into each brushstroke.
Umarmung (1905)

Wilhelm List (Austrian, unknown)

Two figures melt into each other, limbs tangled like roots. The embrace feels heavy, almost desperate—a silent exchange of something unspoken. Shadows cling to their forms, blurring where one body ends and the other begins. It’s less a moment of tenderness than a merging, as if they’re trying to become a single being.