Figurative Art Collection | Perfect for Wall Art, Prints - Page 20 of 93

Straying Thoughts (1913)

Edmund Blair Leighton (English, 1853–1922)

A woman in medieval dress sits lost in thought, fingers resting lightly on an open book. The folds of her gown pool around her as daylight filters through the window—her gaze distant, caught between the page and some unseen memory. The quiet room holds its breath with her.
A Greek Beauty (1874)

Émile Vernet-Lecomte (French, 1821–1900)

A young woman gazes past the viewer, her dark curls framing delicate features. The soft drape of her garment hints at classical influence, while her distant expression holds quiet mystery. Warm light caresses her skin, contrasting with the rich shadows behind her. There’s an unspoken story in her poised stillness.
At the fountain (1893)

John William Godward (English, 1861–1922)

A woman in flowing classical dress leans against a marble fountain, her fingers trailing in the water. Sunlight dances on the ripples as she gazes into the distance, lost in thought. The cool stone contrasts with the warmth of her draped gown, frozen in a quiet moment of repose.
Portrait of the Artist’s Wife, Helene (1896)

Carl Newman (American, unknown)

A woman gazes past the frame, her expression unreadable. The soft light catches the folds of her dress, hinting at quiet dignity. There’s a story in her stillness—one she hasn’t decided to tell.
I lock my door upon myself (1891)

Fernand Khnopff (Belgian, unknown)

A woman stands frozen in a dim room, her gaze distant. The air feels heavy, thick with unspoken thoughts. A locked door looms behind her, sealing away the world outside. Shadows cling to the walls, deepening the silence. Something lingers just beyond reach, hidden in the stillness.
A Moroccan Street Scene (1879–80)

John Singer Sargent (American, 1856-1925)

Sunlight slants across the dusty alley, catching the folds of a merchant’s robe. Shadows pool beneath arched doorways where figures linger, their faces half-hidden. The air hums with quiet commerce—a basket of dates, a bolt of indigo cloth, the murmur of haggling voices just out of frame.
Les Fleurs

Henri Martin (French, 1860–1943)

A garden bursts with color—dabs of pink, yellow, and violet dance across the canvas. Loose brushstrokes blur the flowers into a dreamy haze, as if seen through sunlit air. The petals seem to sway, alive with the warmth of a summer afternoon.
The orphans (1830)

Ary Scheffer (Dutch, 1795–1858)

Two children cling together in the dim light, their faces shadowed with loss. The older one’s protective arm wraps around the younger, fingers gripping a tattered shawl. Empty space surrounds them, amplifying their solitude. A single beam of light catches the tear-streaked cheek of the smaller child.
The Art of Painting

Johannes Vermeer (Dutch, 1632–1675)

A painter’s back faces us, brush poised before a canvas. Light spills across the studio floor, catching the folds of a heavy curtain, the glint of a brass chandelier. A model stands still, draped in blue, holding a trumpet and book—silent, waiting for the next stroke.