Figurative Art Collection | Perfect for Wall Art, Prints - Page 23 of 93

The Range Land Girl

Elling William Gollings (American, 1878–1932)

A lone cowgirl stands against the open range, reins in hand, her gaze steady under a wide-brimmed hat. The wind tugs at her skirt, dust rising around worn boots. This is no romanticized West—just sun, sweat, and the quiet grit of daily work.
Stogi (1931)

Tadeusz Makowski (Polish, 1882–1932)

Children in stiff, angular coats stand solemnly, their faces blank masks. The scene feels both playful and unsettling—like a folk tale turned strange. Harsh lines carve the figures into geometric fragments, yet there’s a quiet tension humming beneath the surface. Something lingers in their hollow eyes.
The Little Worker (1902-1912)

Helen Galloway McNicoll (Canadian, unknown)

A young woman bends over her work, sunlight pooling around her. The brushstrokes blur her form slightly—not hurried, but absorbed. The room feels quiet except for the rustle of fabric, the weight of daily labor softened by the way the light touches everything.
Femme Pensive

Louis Icart (French, 1880–1950)

A woman sits lost in thought, her delicate features softened by shadow. The curve of her neck, the tilt of her chin—every line suggests quiet contemplation. Art Deco elegance meets something deeper here, unspoken yet palpable. What weighs on her mind remains just out of reach, drawing you closer.
Antonin Proust

Édouard Manet (French, 1832–1883)

A confident gaze meets the viewer, the dark suit and crisp white shirt framing a face alive with intelligence. Loose brushstrokes suggest movement, as if the sitter might lean forward any moment to speak. The background dissolves into shadow, pulling focus to those sharp, observant eyes.
Curiosity

Henriëtte Ronner-Knip (Dutch, 1821–1909)

A small cat stretches toward something just out of frame, ears pricked, tail twitching. The room is warm with afternoon light, casting soft shadows across the floor. Every whisker leans forward—pure, unguarded fascination frozen in oil and brushstrokes.
Portrait of a Young Woman (1862)

Edward Harrison May (American, 1824–1887)

A young woman gazes past the viewer, her expression unreadable. The soft light caresses her face, hinting at untold thoughts beneath the composed exterior. Delicate fabrics frame her features, their folds whispering of quiet elegance. There’s a story here, lingering just beyond reach.
A Favorite Summer Pastime (1873)

Henry Joseph Thouron (American, unknown)

A sunlit afternoon stretches lazily—children sprawl in the grass, their laughter muffled by the thick summer air. One leans forward, intent on some small wonder hidden in the blades. The scene hums with the quiet thrill of endless, unhurried days.
Le Balcon Et L’ombrelle (1904)

Pierre Bonnard (French, 1867–1947)

Sunlight filters through the umbrella’s fabric, casting soft patterns on the balcony. A woman leans against the railing, half in shadow, half in light. The scene hums with quiet warmth, the colors bleeding like watercolor on wet paper. It’s an ordinary moment, yet charged with something unspoken.