Figurative Art Collection | Perfect for Wall Art, Prints - Page 25 of 93

Two friends

Max Volkhart (German, 1848–1924)

Two figures lean close, their postures relaxed yet intimate. The brushwork suggests shared laughter or a quiet confidence between them. Warm tones wrap around the pair, hinting at an unspoken bond that needs no explanation.
Le bal (1890)

Henri Gervex (French, 1852–1929)

A swirl of satin and laughter fills the room—gloved hands brush against waistcoats as couples spin across the polished floor. Candlelight glints off champagne glasses, casting fleeting shadows on flushed faces. The air hums with whispered secrets and the rustle of silk skirts keeping time to an unseen waltz.
Origami Dreams

Etienne Adolphe Piot (French, 1850–1910)

Delicate folds of paper twist into impossible shapes, suspended between reality and reverie. The crisp edges glow with an inner light, each crease a fleeting thought caught mid-flight. A silent dance of geometry and whimsy unfolds, where logic bends like the paper itself.
Chariot (1875)

Henry Collins Bispham (American, unknown)

A lone chariot cuts through the dust, its wheels barely touching the earth. The horses strain forward, muscles taut, as if racing against time itself. No driver in sight—just raw motion, power barely contained.
The Veteran (Portrait of George Reynolds) (Probably 1885)

Thomas Eakins (American, 1844–1916)

The old soldier’s face is carved with deep lines, each wrinkle a silent witness to battles long past. His gaze holds something unspoken—not pride, not regret, but the weight of years carried in stillness. The uniform hangs loose, a relic of another time.
Old Woman With A Chip Basket (1882)

Albert Edelfelt (Finnish, 1854–1905)

An old woman clutches a woven basket, her knuckles rough from years of work. The weight of it bends her shoulders slightly, but her gaze stays steady—patient, resigned. The basket’s frayed edges hint at countless trips, burdens carried without complaint. There’s dignity in her weariness.
Mrs. William Burden, A. M. (née Margaret Livingston Partridge) (1932)

Philip Alexius de László (Hungarian, unknown)

A poised woman in a flowing white gown gazes past the viewer, her gloved hand resting lightly on a chair. The soft drapery and warm light lend an air of quiet elegance, while her distant expression hints at unspoken thoughts. The portrait balances refinement with subtle mystery.
The Patio

John Ireland Howe Downes (American, unknown)

Sunlight slants across worn tiles, casting sharp shadows from potted plants. A lone chair sits slightly askew, as if someone just stood up. The air feels thick with quiet—no voices, just the faint hum of insects. This patio holds time in its stillness.
A young woman opening a jewel casket

Alice Macallan Swan (English, 1864–1939)

A young woman hesitates, fingers brushing the ornate latch of a jewel casket. The glow of gold catches her face—anticipation, temptation, perhaps dread. What secrets lie inside? Her posture tenses between desire and restraint, the casket’s contents as veiled as her thoughts.