Figurative Art Collection | Perfect for Wall Art, Prints - Page 26 of 93

Bildnis des Malers Berthold Winder

Anton Romako (Austrian, 1832–1889)

A man’s gaze holds steady, his face shadowed but alert. The brushstrokes suggest restlessness beneath the composed surface—an artist caught between observation and creation. The portrait lingers, unposed, as if he might turn away at any moment.
Woman with green dress and silver necklaces with pendants (1909)

Max Nonnenbruch (German, 1857–1922)

A woman in a flowing green dress stands poised, silver necklaces glinting against the fabric. The pendants catch the light, their intricate details hinting at untold stories. Her gaze holds something unspoken, drawing you into the quiet mystery of the moment.
Mrs. Cecil Wade (1886)

John Singer Sargent (American, 1856-1925)

A woman in white leans forward, her gloved hand resting lightly on a table. The brushstrokes blur the background into softness, making her poised figure the only sharp thing in the room. There’s a quiet intensity in her gaze—like she’s just paused mid-conversation to consider something unspoken.
Best Friends

Sophie Anderson (English, 1987–2023)

Two girls sit close, heads tilted together in quiet conversation. One holds a book, the other leans in, their shared secret hovering between them. The warmth of their bond radiates from the canvas, a fleeting childhood moment frozen in time.
A Fair Spaniard, Mrs Chowne (1909)

Sir John Lavery (Irish, 1856–1941)

A woman in a black lace mantilla gazes past the viewer, her dark eyes holding secrets. The fan in her hand pauses mid-flutter, as if catching a breath between whispers. Warm light dances across her face, contrasting the rich folds of her dress—a fleeting moment of quiet intensity.
The Sweet Scent

Louis Picard (French, 1861–1940)

A young woman leans in, eyes half-closed, inhaling the fragrance of unseen flowers. The soft drape of her dress and the tilt of her head suggest a private moment of pleasure, caught between thought and sensation. The light lingers on her skin, as if the scent itself could be seen.
A Study for In the Conservatory; A Critical Moment (1898)

William Powell Frith (English, 1819–1909)

A tense silence hangs between the couple in the greenhouse. His hand hovers near hers, fingers almost touching—hesitation thick as the humid air. Outside, blurred figures pass unseen, their muffled footsteps underscoring the unspoken words trapped beneath glass.
Portrait of a girl in a hat (1909)

Frank Bramley (English, 1857–1915)

A young girl gazes out from beneath the brim of her hat, the soft light catching the curve of her cheek. There’s something unspoken in her eyes—neither joy nor sorrow, but a quiet intensity that lingers long after you look away.
Evocation of Roussel (c. 1912)

Odilon Redon (French, 1840–1916)

A spectral figure emerges from swirling darkness, its form hovering between myth and dream. The air hums with unseen energy, as if the veil between worlds has thinned. Colors bleed into each other, dissolving certainty—what’s real slips just beyond reach.