Figurative Art Collection | Perfect for Wall Art, Prints - Page 32 of 93

Portrait of Charlotte and Sarah Carteret-Hardy (1801)

Sir Thomas Lawrence (English, 1769–1830)

Two sisters, one dark-haired and solemn, the other fair with a playful smile, share a quiet moment. Their linked hands and contrasting expressions hint at unspoken bonds—youth poised between innocence and the weight of growing up. The rich fabrics and soft light wrap them in an intimate, fleeting harmony.
The Bonfire

Sophie Anderson (English, 1987–2023)

Flames lick the darkness, casting flickering light on gathered figures. Their faces glow warm against the cool night, shadows dancing across expressions caught between wonder and quiet reflection. The bonfire crackles, a bright heart in the enveloping black.
Reverie (1883)

Władysław Czachórski (Polish, 1850–1911)

A young woman leans against a velvet chair, lost in thought. The folds of her satin gown catch the light as she gazes past the viewer, her expression unreadable. A single rose rests on the table beside her, its petals just beginning to wilt. The room feels suspended in quiet anticipation.
The Wyndham Sisters; Lady Elcho, Mrs. Adeane, and Mrs. Tennant (1899)

John Singer Sargent (American, 1856-1925)

Three women in white satin stand together, their gowns pooling like liquid moonlight. One leans forward with quiet confidence, another tilts her head in amusement, the third rests a gloved hand on the chair back—each posture revealing distinct personalities bound by sisterhood. The air hums with unspoken conversation.
1897 [Women’s fashion in nineteenth-century Paris] (1902)

Henri Boutet (French, 1851–1919)

A Parisian woman adjusts her gloves, the intricate lace of her dress catching the light. The corset’s rigid silhouette contrasts with the soft drape of her skirt—every detail whispers the unspoken rules of 19th-century elegance. Fashion here isn’t just clothing; it’s armor and art fused into one.
Kopf einer alten Frau mit der Hand am Mund

Karoline Kubin (Austrian, 1860–1945)

An old woman’s face, weathered and worn, her hand pressed to her mouth as if stifling a whisper—or a cry. The rough brushstrokes carve deep shadows, turning hesitation into something raw, urgent. A portrait that doesn’t just show age, but the weight of unspoken words.
Bildnis einer Dame mit schwarzem Halsband (1877)

Conrad Kiesel (German, 1846–1921)

A woman gazes past the viewer, her dark eyes unreadable. The stark black collar frames her pale throat, drawing attention to the subtle tension in her jaw. Light catches the delicate lace at her cuffs, a quiet contrast to the severity of her expression. Something unspoken lingers in the air between subject and painter.
Interiør med kunstnerens hustru, der står ved en kommode og læser

Carl Holsøe (Danish, unknown)

A woman stands by the dresser, absorbed in her book. The quiet room holds the weight of her stillness—lamplight pools on wood, shadows cling to corners. Nothing moves but the turning page.
Stewart Harrison’s The Iceberg – The Seamstress (1860)

Sir John Everett Millais (English, 1829–1896)

A woman sits hunched over her sewing, fingers working swiftly. Behind her, the jagged silhouette of an iceberg looms—cold, distant, yet inseparable from her quiet labor. The thread in her hands seems fragile against the vast, indifferent ice.