Figurative Art Collection | Perfect for Wall Art, Prints - Page 34 of 93

Madame Monet and Her Son (1874)

Pierre-Auguste Renoir (French, 1841–1919)

Sunlight dapples through leaves as a woman in white stands in tall grass, her son beside her. Brushstrokes blur the scene into motion—a breeze rustling fabric, shifting shadows, the fleeting warmth of summer. Their figures dissolve into light and color, barely pausing before the moment slips away.
Chinoiserie (1765-1767)

Jean-Baptiste Pillement (French, 1728–1808)

Delicate porcelain figures dance amid swaying bamboo, their silk robes swirling like petals in an imagined Eastern breeze. Gold lacquer frames scenes of whimsical pagodas and exotic birds—a French daydream of the Orient, rendered in pastel fantasies and gilded flourishes.
Bedouin and Young Girl

Alois Hans Schram (Austrian, 1864–1919)

A Bedouin man stands beside a young girl, their figures stark against an undefined backdrop. The contrast between his weathered presence and her delicate innocence lingers in the air, unspoken yet palpable. Their connection remains a quiet mystery, inviting closer study.
El Jaleo (1882)

John Singer Sargent (American, 1856-1925)

A dancer twists mid-step, skirts swirling like dark flames. Musicians lean in, shadows sharp against the wall. The air thrums with stomping heels and clapping hands—flamenco’s raw energy frozen in motion. Every line pulls you deeper into the rhythm’s pulse.
Girl Playing the Harpsichord (1899)

Mary Louise Fairchild (American, 1858–1946)

A young woman leans into the harpsichord, fingers poised above the keys. The curve of her back mirrors the instrument’s polished wood, light catching the folds of her dress. Silence hangs just before the first note.
Selbstbildnis in ganzer Figur (1810)

Karl Russ (Austrian, 1779–1843)

A man stands alone, framed against a shadowed backdrop. His posture is both defiant and weary, the folds of his coat echoing the tension in his stance. The light catches his face—not quite a glare, not quite a plea—just a quiet challenge to the viewer. Who is he, really?
1898 [Women’s fashion in nineteenth-century Paris] (1902)

Henri Boutet (French, 1851–1919)

A Parisian woman adjusts her gloves, the intricate lace of her gown catching the light. The bustle of 19th-century fashion swirls around her—corsets, parasols, the whisper of silk. Every detail speaks of an era where elegance was armor and every outing a performance.
Exhibition of watercolour paintings

Alice Macallan Swan (English, 1864–1939)

Alice Macallan Swan was a really good Scottish painter and illustrator. Her art showed both skill and a real feel for what she was doing. She was working back in the late 1800s and early 1900s, a time when female artists were starting to get some credit in a field that used to be mostly […]
Soleils (1940)

Henri Manguin (French, 1874–1949)

A woman lounges in dappled sunlight, her skin glowing against bold strokes of orange and green. The colors vibrate with raw energy, turning an ordinary moment into something electric. Shadows dance around her, alive with the heat of the day. It’s not just a scene—it’s a pulse of pure color.