Figurative Art Collection | Perfect for Wall Art, Prints - Page 49 of 93

Peace Concluded (1856)

Sir John Everett Millais (English, 1829–1896)

A wounded soldier rests by the fire, his wife reading the newspaper’s headline—”Peace.” Their child plays with toy soldiers, oblivious. The dog sleeps at their feet. War is over, but its shadow lingers in the room, quiet and heavy. Life resumes, though nothing will be quite the same.
The Trio (1898)

Robert Reid (American, 1862–1929)

Three women gather, their faces lit by unseen light. One holds a violin, another leans in as if catching a whispered melody. The third listens, her hands resting lightly on the keys of a piano. The air hums with unplayed music, a shared moment before the first note breaks the silence.
Yes or No_ (1871)

Sir John Everett Millais (English, 1829–1896)

A young woman hesitates, fingers tracing her necklace. Her downcast eyes and parted lips hold the tension of an unspoken answer. The rich fabrics and dim light wrap her in quiet suspense—will she say yes, or no?
Madame Gautreau Drinking a Toast (1882-1883)

John Singer Sargent (American, 1856-1925)

A woman tilts her head slightly, glass raised in a silent toast. Her dark dress contrasts with the warm glow of the wine, capturing an unspoken moment of poise and private contemplation. The light catches the curve of her arm, turning a simple gesture into something quietly arresting.
The beloved

Wilfrid Gabriel de Glehn (English, 1870–1951)

A woman gazes softly, bathed in warm light. Her expression holds quiet intimacy, as if caught in a private thought. Loose brushstrokes blur the edges, pulling the viewer into her world. The colors hum with life—gold, rose, and cream melting together. There’s tenderness here, just beyond reach.
The Mirror (ca. 1910)

Robert Reid (American, 1862–1929)

A woman gazes into the mirror, bathed in soft light. The reflection blurs—not just her face, but the boundary between observer and observed. Brushstrokes dissolve the edges of reality, leaving only the quiet tension of self-awareness. The room hums with unspoken questions. What does she see? What do we?
Jeanne la Rousse

Jules Joseph Lefebvre (French, 1836–1911)

A woman gazes past the viewer, her auburn hair catching the light. The soft folds of her dress contrast with the intensity in her eyes—both vulnerable and defiant. There’s a quiet tension in her stillness, as if she’s poised between thought and action.
Portrait of Feliks Jasieński at the Organ (1902)

Leon Wyczółkowski (Polish, 1852–1936)

Feliks Jasieński leans into the organ’s keys, fingers poised. The dim light catches his sharp profile, the instrument’s pipes looming behind him like silent witnesses. There’s tension in his stillness—a breath held before the music begins.
María Teresa (1638–1683), Infanta of Spain (1651–54)

Diego Velázquez (Spanish, 1599–1660)

The young Infanta gazes past the viewer, her stiff brocade gown and rigid posture belying the softness in her face. A hint of melancholy lingers beneath the formality of royal portraiture.