Figurative Art Collection | Perfect for Wall Art, Prints - Page 50 of 93

Beet-Lifting (1893)

Leon Wyczółkowski (Polish, 1852–1936)

Bent backs strain against the weight of bundled beets, dirt still clinging to their roots. Rough hands grip the harvest, knuckles white with effort. The earthy scent of upturned soil lingers in the air. A moment of labor, raw and unadorned, stretches taut between field and home.
Riding Couple (1906 – 1907)

Wassily Kandinsky (Russian, 1866–1944)

A man and woman gallop across the canvas, their forms dissolving into bold strokes of color. The horses’ energy vibrates through jagged lines, while the riders seem to merge with the landscape—part of the motion, not just observers. Everything tilts, alive with rhythm.
Portrait of Fabrice Polderman (1919)

Gustave Van de Woestijne (Belgian, unknown)

A man’s face emerges from shadow, his gaze distant yet piercing. The muted tones and sharp lines lend an air of quiet intensity, as if caught between thought and speech. There’s something unresolved in his expression—neither melancholy nor defiance, but something unspoken lingering beneath the surface.
A Neapolitan Flax Spinner

John William Waterhouse (British, 1849-1917)

A young woman sits by the window, fingers deftly spinning flax into thread. Sunlight spills across her work, illuminating the golden strands as they twist and coil. Her gaze drifts beyond the frame, lost in thought or memory—the spindle never slowing, the rhythm unbroken.
Sitting female Figure (Portrait of Mrs Bremen) (1915)

Lilly Walther (Estonian, 1893–1955)

A woman sits, her posture relaxed yet poised. The portrait captures quiet confidence in the curve of her shoulders, the tilt of her head. No grand setting, just presence—unhurried, unadorned. The simplicity speaks.
The Gilded Apple (1899)

Eleanor Fortescue-Brickdale (English, 1872–1945)

A golden apple gleams in shadowed hands, its burnished surface catching the light like forbidden knowledge. The air hums with unspoken myth—temptation, discord, destiny cradled in a single gilded curve.
Summer Evening on Skagen Beach, Portrait of the Artist’s Wife (1899)

Peder Severin Krøyer (Danish, unknown)

Golden light spills across the shore as a woman stands barefoot in the sand, her white dress catching the breeze. The sea melts into twilight behind her, all soft blues and fading warmth. There’s a quiet here—the hush of waves, the cool touch of evening air on sun-warmed skin.
The salon (1879)

Pio Ricci (Italian, 1850–1919)

A dimly lit salon hums with hushed conversation. Velvet drapes pool on the floor as figures lean in, their faces half-shadowed by flickering gaslight. The air smells of cigar smoke and spilled absinthe. Someone laughs too loudly; a glove drops unnoticed onto the patterned carpet.
Sappho

Jules Joseph Lefebvre (French, 1836–1911)

A solitary woman clutches a lyre, her gaze lost in distant thought. The folds of her robe drape softly, echoing the melancholy of unspoken verses. Here, the muse of Greek poetry lingers—not in triumph, but in quiet contemplation, her fingers pausing above the strings as if weighing each word.