Figurative Art Collection | Perfect for Wall Art, Prints - Page 55 of 93

Frage an die Karten (1889)

Édouard Bisson (French, 1856–1945)

A woman leans over scattered cards, her fingers hovering above their cryptic symbols. The dim light catches her intent expression—half doubt, half longing—as if the answer lies just beyond the next turn. The air hums with possibility.
Study of Flesh Color and Gold (1888)

William Merritt Chase (American, 1849–1916)

Warm gold glows against soft skin, the brushstrokes loose yet deliberate. Light dances across the surface, blurring the line between flesh and gilded background. A quiet tension lingers—luxurious yet intimate, opulent yet fleeting.
The Fruit Seller

Victor Gabriel Gilbert (French, 1847–1935)

A woman arranges ripe peaches in her market stall, their golden skins catching the morning light. Around her, baskets overflow with cherries and plums, their colors vivid against the worn wood. The air hums with quiet commerce, the simple rhythm of daily life unfolding in this corner of the marketplace.
Under the orange tree

Virginie Demont-Breton (French, 1859–1935)

A woman sits beneath the gnarled branches of an orange tree, sunlight dappling her dress. The fruit hangs heavy, their scent mingling with warm earth. She leans slightly, as if listening to the leaves whisper—a quiet moment suspended between shade and gold.
An Interesting Story (Miss Ray) (1806)

William Wood (English, unknown)

A young woman leans forward, lips parted as if mid-sentence, her eyes alight with some unspoken tale. The folds of her dress catch the light, soft shadows pooling around her eager posture. There’s mischief in her expression—whatever story she’s telling, you’d lean closer to hear it.
Young Woman in Black (1902)

Robert Henri (American, 1865–1929)

A woman in a black dress meets your gaze, her expression unreadable. The dark fabric contrasts sharply with her pale skin, drawing you into the quiet intensity of her presence. There’s a story in her stillness, but she isn’t telling—yet.
Mädchen mit Puderquaste (circa 1925)

Brynolf Wennerberg (Swedish, 1866–1950)

A girl holds a powder puff, her gaze distant. The soft brush contrasts with the sharp angles of her face, caught between youth and something darker. The colors hum with quiet tension, a portrait that lingers just beyond reach.
The Roping (1914)

William Robinson Leigh (American, 1866–1955)

A cowboy leans low in the saddle, rope taut as his horse digs in. Dust swirls around them, the moment stretched thin between control and chaos. The horse’s muscles strain, eyes wild—caught in the raw tension of the throw.
Annäherung (circa 1910)

Brynolf Wennerberg (Swedish, 1866–1950)

A woman’s face emerges from shadow, her gaze distant yet piercing. The brushstrokes blur the line between presence and memory, leaving just enough detail to haunt.