Figurative Art Collection | Perfect for Wall Art, Prints - Page 67 of 93

Mädchen mit weißem Tuch und Katze

Charles Chaplin (French, 1889–1977)

A girl clutches a white cloth, her gaze distant. A cat curls beside her, its tail flicking. The scene holds an unspoken tension—something fragile, about to unravel.
Stella (1900)

Frank Dicksee (English, 1853–1928)

A woman gazes into the distance, her dark hair cascading over a flowing white gown. The soft glow of candlelight catches the delicate lace at her sleeves, hinting at quiet longing. Her lips part slightly, as if pausing mid-breath—caught between thought and speech.
A Confab (1902-03)

John George Brown (American, 1831–1913)

Two street kids lean in, heads nearly touching, sharing a secret or a joke. Their worn clothes and scuffed shoes hint at hard lives, but their animated faces glow with mischief. The cobblestones around them fade into the background—this moment is all about the unspoken bond between them.
Promeneurs et artistes à l’exposition universelle de 1900. (1900)

Henri Bellery-Desfontaines (French, 1867–1909)

Crowds drift through the glowing pavilions of the Universal Exposition, their silhouettes sharp against electric lights. A painter pauses mid-sketch, distracted by the spectacle—iron latticework arches overhead while visitors dissolve into the haze of progress and gaslight. Paris hums with invention, its future unfolding in glass and steel.
Woman with a Rake (1856–57)

Jean-François Millet (French, 1814–1875)

A woman pauses mid-motion, rake in hand, her sturdy frame silhouetted against the earth. The weight of labor lingers in her bent posture, yet there’s quiet determination in her grip. No idyllic countryside—just raw, unadorned toil. The field stretches ahead, endless under her calloused palms.
A fashionable beauty

Albert Lynch (Peruvian, 1851–1912)

A woman in elegant attire gazes past the viewer, her poised silhouette framed by soft light. The delicate folds of her dress and the tilt of her hat suggest effortless grace, capturing the allure of high fashion with quiet confidence. There’s an unspoken story in her distant expression.
Melody

Henry Ryland (English, 1856–1924)

A woman sits absorbed in her music, fingers poised over the strings. The soft drape of her gown echoes the curve of the instrument, blending movement with stillness. Light catches the edge of her profile, leaving the rest in quiet shadow—a moment suspended between note and silence.
The Cap that Fits

Eleanor Fortescue-Brickdale (English, 1872–1945)

A young woman holds a feathered cap, her gaze distant yet resolute. The rich fabrics and muted tones suggest a moment of quiet decision—perhaps a choice between duty and desire. Something unspoken lingers in the air, as tangible as the cap in her hands.
A Ray of Sunlight (1898)

John White Alexander (American, 1856–1915)

A woman bathed in golden light turns slightly, her face half-hidden. The sun catches the folds of her dress, casting soft shadows that seem to breathe. There’s a quiet intensity in her averted gaze—something unspoken, lingering just beyond the frame.