Figurative Art Collection | Perfect for Wall Art, Prints - Page 68 of 93

Girl with a pomegranate (1875)

William Bouguereau (French, 1825–1905)

A young girl cradles a split pomegranate, its ruby seeds spilling into her palm. Her gaze holds quiet intensity, the fruit’s juice staining her fingertips. The folds of her dress catch the light, soft against the ripe weight in her hands. Something unspoken lingers between her and the broken fruit.
Go Lovely Rose! Tell her that Wastes her Time and Mine

Herbert James Draper (English, 1863–1920)

A woman cradles a rose, her gaze distant. The petals mirror her delicate features, both poised between bloom and decay. Time slips like water through her fingers—the flower’s message urgent, unheeded.
The Bookworm (circa 1851)

Carl Spitzweg (German, 1808–1885)

A hunched figure perches precariously on a ladder, utterly absorbed in his book. Towering shelves crammed with volumes surround him, their spines glowing in warm lamplight. One slippered foot dangles absentmindedly as he leans deeper into the pages, oblivious to the world beyond his literary cocoon.
The Dancer (1898)

Edward John Poynter (English, 1836–1919)

A poised ballerina, mid-step, her delicate form draped in flowing fabric. The light catches the folds of her skirt as she balances effortlessly, exuding grace. Every line suggests movement frozen in time, inviting you to imagine the music guiding her next turn.
Summer evening on the beach at Skagen. The painter and his wife (1899)

Peder Severin Krøyer (Danish, unknown)

Golden light spills across wet sand as two figures walk hand in hand through the shallows, their long shadows stretching toward the water’s edge. The fading sun paints the sky in soft pinks and blues, mirroring the quiet rhythm of waves lapping at their feet.
Isa Tyde, La belle Irlandaise (circa 1890)

Jean-Louis Forain (French, 1852–1931)

A young Irish woman gazes past the frame, her expression caught between defiance and melancholy. The loose brushstrokes soften her features, yet her piercing eyes hold steady. A hint of green at her collar whispers of homeland.
Girl in Blue Arranging Flowers (1915)

Frederick Carl Frieseke (American, 1874–1939)

A woman in a blue dress leans over a table, her hands gently arranging a burst of blossoms. Sunlight spills across the scene, softening the colors—her dress, the petals, the quiet corner of the room. It’s an ordinary moment, yet alive with quiet attention.
‘einzug’ (The Arrival)

Franz Xaver Simm (Austrian, 1853–1918)

A lone rider emerges from the forest, his horse’s breath misting in the cold air. Sunlight breaks through the trees, glinting off armor and damp leaves. The quiet tension of an approaching moment hangs in the stillness—something is about to change.
Zirkusreiterin in der Manege (circa 1935)

Brynolf Wennerberg (Swedish, 1866–1950)

A horsewoman glides through the circus ring, her poised elegance contrasting with the vibrant chaos around her.