Figurative Art Collection | Perfect for Wall Art, Prints - Page 9 of 93

Portrait of Eugenia Alexandra Rubtsov, mother of the painter Rubtsov (1910)

Jan Ciągliński (Polish, 1858–1913)

A woman gazes past the frame, her face softly lit with quiet dignity. Loose brushstrokes blur the edges of her dark dress, letting warmth seep into the background. There’s weight in her stillness—not posed, but paused, as if she might sigh and turn away any moment.
In the Conservatory (1879)

Édouard Manet (French, 1832–1883)

A woman in a striped dress leans against a chair, her gaze distant. Beside her, a man in a dark suit smokes, eyes downcast. Sunlight filters through the conservatory’s glass, casting dappled shadows on their faces—an ordinary moment thick with unspoken tension.
The Botanist (1870)

George Elgar Hicks (English, 1824–1914)

A woman in a sunlit conservatory leans over a specimen, her fingers brushing delicate petals. The folds of her dress catch the light as she studies the plant with quiet intensity. Around her, glass panes blur the garden beyond, framing this private communion with nature.
Ständchen (The Serenade) (1854)

Carl Spitzweg (German, 1808–1885)

Moonlight spills over the balcony as a lone musician plays below. The woman leans forward, caught between shadow and light, while her companion lingers behind. A stolen moment hangs in the air—quiet, charged, suspended between the notes and the night.
Niel Gow, 1727 – 1807. Violinist and composer (1787)

Sir Henry Raeburn (English, 1756–1823)

A weathered hand grips the violin’s neck, fingers poised mid-melody. The bow hovers, suspended between notes, as if the next stroke might summon the Highlands themselves. His gaze, distant yet sharp, holds the quiet intensity of a man who’s pulled music from silence a thousand times before.
Die Postbotin

Mathias Schmid (Austrian, 1835–1923)

A postal worker pauses mid-route, her blue uniform crisp against the muted street. The weight of letters in her satchel hints at unseen stories waiting to be delivered. Her gaze, steady and weary, holds the quiet resolve of someone who bridges distances daily yet remains unnoticed.
The kiss (lovers) (1908)

Gustav Klimt (Austrian, 1862–1918)

Two figures melt into each other, wrapped in swirling gold. His hands cradle her face as her fingers cling to his wrist. Their robes dissolve into intricate patterns—geometric for him, floral for her. The gold leaf shimmers, sealing them in a private world where touch becomes ornament.
Portrait of the Baroness of Bernus (1838)

Philipp Veit (German, 1793–1877)

The Baroness gazes past the viewer, her dark dress stark against the muted background. A single gold bracelet catches the light—subtle, deliberate. Her expression holds something unreadable, poised between melancholy and quiet resolve. The brushwork lingers on the delicate lace at her collar, as if time slows there.
Muse with a globe

Circle of Angelica Kauffmann (Swiss, unknown)

A woman cradles the globe like a fragile treasure, her gaze distant yet intent. The world rests lightly in her hands, an allegory of knowledge or creation—its weight implied but unseen. Her draped figure contrasts with the orb’s smooth surface, a silent dialogue between flesh and sphere.