Figurative Art Collection | Perfect for Wall Art, Prints - Page 8 of 93

The Writing Master (1882)

Thomas Eakins (American, 1844–1916)

An elderly man leans over his desk, quill poised above paper. His face is lined with concentration, the light catching his spectacles and the careful folds of his sleeve. The quiet intensity of the moment—the poised hand, the furrowed brow—makes you wonder what words he’s about to commit to the page.
Lady Grace Dance (1917)

James Jebusa Shannon (American, 1862–1923)

A woman mid-dance, her gown swirling with motion. The tilt of her head, the curve of her arm—every line suggests rhythm, grace suspended in stillness. Not posing, but caught in the act, as if the next step might carry her right off the canvas.
Lady At The Virginal With A Gentleman, ‘the Music Lesson’

Johannes Vermeer (Dutch, 1632–1675)

A woman sits at the virginal, fingers poised above the keys. A man stands close, watching. The room holds its breath—silent, waiting for the first note. Light spills across the floor, catching the gleam of polished wood. Music lingers in the air before it’s even played.
Reverie

Vincenzo Irolli (Italian, 1860–1949)

A woman’s face, half-lost in shadow, drifts between sleep and waking. Her lips part slightly, as if whispering to someone unseen. The brushstrokes blur the line between dream and reality, leaving only the quiet intensity of her gaze—both distant and piercing. What lingers in that silence?
Self-portrait with palette (1898)

Teodor Axentowicz (Polish, 1859–1938)

A man grips his palette, brush poised midair. His gaze meets ours—steady, assessing. The muted tones of his clothes blend into the shadowed background, but the smudges of paint on his hands stand out, raw and unfinished. It’s not just a portrait; it’s a silent conversation between creator and viewer.
Study for ‘La Belle Dame sans Merci’

Frank Dicksee (English, 1853–1928)

A knight kneels before a mysterious woman, her gaze both alluring and distant. His armor gleams against the soft folds of her gown, tension humming between them. The unfinished strokes hint at a story left untold—will she grant mercy or lead him to ruin?
Sketch Of A Mother And Child

George Romney (English, 1734–1802)

A mother cradles her child in loose, tender strokes—the lines quick but sure, capturing the quiet intimacy between them. The sketch breathes with life, as if the artist barely paused to lift his hand from the paper.
Tänzerin (between 1925 and 1930)

Brynolf Wennerberg (Swedish, 1866–1950)

A lone dancer twists mid-air, limbs slicing through space. The bold strokes and stark contrasts electrify the movement, freezing a fleeting instant of raw energy. Every line pulses with rhythm, as if the figure might leap off the canvas at any moment.
Fortunes

George Dunlop Leslie (English, 1835–1921)

A young woman leans over a table, her fingers tracing the lines of a fortune-telling book. The room glows with warm lamplight, casting shadows that hint at secrets yet to unfold. Her expression lingers between curiosity and apprehension, as if the pages hold more than she bargained for.