Portrait of Miss Scott, daughter of the Late Thomas Alexander Scott of Philadelphia

A founding member of the Pre-Raphaelite Brotherhood, this British painter revolutionized Victorian art with his meticulous attention to detail and vibrant, almost hyperrealistic style. Rejecting the conventions of the Royal Academy, he drew inspiration from medieval and early Renaissance art, infusing his work with symbolic depth and emotional intensity. Early pieces like *Ophelia* (1851–52) stunned audiences with their lush, naturalistic landscapes and painstakingly rendered figures, capturing both beauty and tragedy in equal measure. Though initially controversial for his radical techniques—such as painting outdoors to capture shifting light—his reputation grew into one of Britain’s most celebrated artists. Later in life, his style softened, embracing portraiture and genre scenes with a broader, more fluid brushwork that appealed to aristocratic patrons. Yet even these works retained his signature precision, whether in the delicate folds of a gown or the play of sunlight on a child’s face. Beyond technical mastery, his art often explored themes of love, mortality, and societal constraints, reflecting both personal struggles and the tensions of his era. By blending Romanticism with realism, he left an indelible mark on 19th-century art, influencing everything from illustration to the Aesthetic Movement. Millais’ legacy endures not just in galleries but in the way he redefined what painting could achieve—a bridge between tradition and modernity.