Impressionism Art Collection | Perfect for Wall Art, Prints - Page 9 of 16

A Lady In Brown (1920)

Sir John Lavery (Irish, 1856–1941)

A woman in a brown dress gazes past the frame, her expression unreadable. Soft brushstrokes blur the background, pulling focus to the quiet intensity in her eyes. The folds of her dress catch the light, hinting at movement just paused. There’s a story here, half-told.
Fireside Candlelight (1903)

Adam Emory Albright (American, 1862–1957)

Soft candlelight flickers across the room, casting warm pools on the floor. A fire crackles nearby, its glow mingling with the dancing shadows. The scene feels intimate, like a quiet moment stolen from time—just the hush of flames and the gentle play of light on worn wooden boards.
Printemps autour du Croisic

Ferdinand du Puigaudeau (French, 1864–1930)

Sunlight dances on the Breton coast, where wildflowers push through salt-kissed earth. The sea breeze carries the scent of damp grass, mingling with the faint tang of brine. A path winds toward the water, inviting you to step into this fleeting spring morning by the Croisic.
Jeanne Fourmanoir sur le lac (1892)

Berthe Morisot (French, 1841–1895)

A woman reclines in a rowboat, her dress pooling around her as sunlight dances on the lake’s surface. The water holds her reflection loosely, like a thought about to slip away. Oars rest idle—no hurry, no destination. Just the quiet ripple of time passing.
Petite gardeuse d’oies (1886)

Camille Pissarro (French, 1830–1903)

A girl stands barefoot in the grass, her small frame dwarfed by the geese she tends. Sunlight dapples the scene, softening the edges of her straw hat and the birds’ white feathers. The air hums with quiet movement—rustling wings, shifting feet, the unspoken bond between child and flock.
Portræt af Marie Krøyer (1890)

Peder Severin Krøyer (Danish, unknown)

A woman in a white dress stands by the sea, sunlight catching the folds of her skirt. Her gaze drifts beyond the frame, as if lost in thought or waiting for something—or someone—just out of sight. The air feels still, salt-tanged, heavy with unspoken words.
Mariana (1880)

Sir John Lavery (Irish, 1856–1941)

A woman stands by the window, sunlight pooling at her feet. The room hums with quiet warmth, her dress catching the glow. Outside, the world blurs—just shapes and color. She’s not waiting, not leaving. Simply there, a breath held between moments.
Interieur mit festlich gedecktem Tisch

Olga Wisinger-Florian (Austrian, 1844–1926)

Sunlight spills across the linen, glinting off polished silver. A half-filled wineglass casts a watery shadow beside ripe fruit. The table hums with quiet anticipation—an unfinished meal, a paused conversation, the air thick with unspoken stories. Every detail pulses with life, waiting for the feast to resume.
On the Heights (circa 1909)

Charles Courtney Curran (American, 1861–1942)

Sunlight dapples through the trees, casting soft shadows on the grassy slope. A breeze rustles the leaves, carrying the scent of wildflowers. Two figures pause on the hilltop, their silhouettes small against the vast, glowing sky. The world stretches out below, bathed in golden afternoon warmth.