Landscape Art Collection | Perfect for Wall Art, Prints - Page 11 of 55

Femme et Enfant au Bord de la Mer, Étretat (1865)

Jean-Baptiste-Camille Corot (French, 1796–1875)

A woman stands with a child by the sea, the waves lapping at the shore. The coast stretches behind them, muted tones blending sky and water. Their figures are still, almost part of the landscape, as if time has paused with the tide. The air feels heavy with salt and quiet.
Temple of Apollo and Mount Parnassus in Corinth. From the journey to Greece (1905)

Jan Ciągliński (Polish, 1858–1913)

Sunlight dances across ancient columns, their weathered stone glowing against Parnassus’ hazy slopes. Olive trees sway in the warm breeze, their silver leaves whispering over the temple ruins. The mountain’s shadow stretches toward Corinth, blending myth with the golden afternoon.
Two-masted Schooner with Dory (1894)

Winslow Homer (American, 1836–1910)

A weathered schooner rides the swells, its sails taut against the wind. Beside it, a lone dory bobs—empty, waiting. The sea stretches endlessly, neither calm nor stormy, but alive with the tension of men who work its waters. Salt hangs in the air. The horizon offers no land.
Spring Mist (1893)

Stanisław Witkiewicz (Polish, 1851–1915)

A veil of mist softens the trees, blurring the line between earth and sky. Pale greens emerge like whispers through the haze, hinting at the season’s slow unfurling. The air feels damp, heavy with the quiet promise of spring.
A Gèdres (Basses Pyrénnées) (circa 1878)

Henri Stanislas Rouart (French, 1833–1912)

Rolling hills stretch under a muted sky, their slopes dotted with sparse trees. The land folds into shadowed valleys, rough textures softened by distance. A quiet path winds through, barely touched by human presence—just earth and air holding their breath.
Gardens Of The Generalife, Granada

Santiago Rusiñol (Spanish, 1861–1931)

Sunlight filters through cypress trees, casting dappled shadows on the tiled pathways. Water murmurs in hidden fountains, weaving through the geometric patterns of hedges. The air smells of orange blossoms and damp stone—a quiet corner of Granada where time moves differently.
Valley of the Vistula from Zwierzyniec (1905)

Jacek Malczewski (Polish, 1854–1929)

Golden light spills over the Vistula’s bends, turning the river into liquid amber. The Polish countryside stretches beyond, hushed and waiting—a landscape caught between dream and memory. Something lingers just beyond the trees, half-seen, like a whisper you can’t quite catch.
River Landscape

Eugène Galien-Laloue (French, 1854–1941)

Sunlight glints off the river’s lazy curve, where poplars lean like gossiping neighbors. A dirt path winds past cottages with smoke curling from chimneys—someone’s just stoked the fire. The water holds the sky’s pale blue, but deeper, slower, as if time itself pooled here between the banks.
Spring blooms

Henry John Yeend King (English, unknown)

Sunlight spills over a country lane, warming clusters of wildflowers. A woman in a straw hat bends to gather blossoms, her skirt brushing the fresh grass. The air hums with bees among the petals, and the path curves away into dappled shade. Spring’s quiet abundance unfolds here.