Landscape Art Collection | Perfect for Wall Art, Prints - Page 10 of 55

Bridge on the Seine (1908)

Tadeusz Makowski (Polish, 1882–1932)

A wooden bridge arches gently over the Seine, its reflection trembling in the river’s slow current. The scene hums with muted greens and soft blues, as if the air itself holds its breath. Something lingers here—not quite stillness, not quite motion—just the quiet pulse of water meeting land.
The Hill Top (1914)

Frank Weston Benson (American, 1862–1951)

Sunlight dapples the grassy slope, brushstrokes alive with wind and warmth. A lone tree bends slightly, as if listening to the breeze. The colors hum—greens melting into gold, earth meeting sky. No people, just the quiet pulse of a hillside breathing under open air.
Doorzicht onder een brug naar terrassen en een trap (1750 – 1806)

Louis Gabriel Moreau (French, 1740–1806)

Sunlight filters through the arch of a stone bridge, casting dappled shadows on the steps below. A quiet terrace waits beyond, its empty chairs hinting at gatherings past. The scene holds a hushed expectancy, as if the next visitor might turn the corner any moment.
Landscape at sunset (1906)

Tadeusz Makowski (Polish, 1882–1932)

Golden light spills across the fields, dissolving edges into warm brushstrokes. The horizon glows—not fiery, but soft, like embers cooling. Trees stand as dark silhouettes against that lingering radiance, their forms simplified yet alive. A quiet moment stretches between day and night.
Summer Night in Spain (circa 1926)

George Elmer Browne (American, 1871–1946)

Warm Spanish air hums with cicadas. A lone lantern glows against indigo shadows, casting gold on cobblestones. Somewhere, a guitar string trembles. The night holds its breath between sleep and song.
Night atmosphere at see. Full moon

Carl Locher (Danish, unknown)

Moonlight spills across the dark sea, silvering the restless waves. A full moon hangs heavy in the night sky, its glow stretching toward the horizon where water meets darkness. The scene hums with quiet tension—the vastness of ocean and sky pressing against each other under that luminous watch.
Summer Afternoon (Figures On A Bridge)

John Henry Twachtman (American, 1853–1902)

Dappled sunlight filters through the trees, casting shifting patterns on the wooden bridge. Two figures pause mid-crossing, their silhouettes softened by the hazy summer air. The water below mirrors the lazy green of overhanging branches, blurring the line between reflection and reality. A breath of warmth lingers in the stillness.
Parmelee Estate in Bloom (c. 1920)

Dora Louise Murdoch (American, 1857–1933)

Sunlight spills across the manicured lawns, dappling flowerbeds bursting with color. A grand estate stands framed by blossoms, its white columns softened by climbing vines. The air hums with bees drunk on nectar, and somewhere, a gardener’s shears snip in rhythm with the sway of hydrangeas.
Birches in Autumn (1900–1910)

Ferdinand Katona (Hungarian, 1864–1932)

Golden leaves cling to slender birch trunks, their white bark glowing against the rust-colored forest floor. A crisp autumn breeze seems to ripple through the scene, where every brushstroke hums with the quiet energy of the season’s turn.