Landscape Art Collection | Perfect for Wall Art, Prints - Page 18 of 55

Woods in autumn (1865)

Frederic Edwin Church (American, 1826–1900)

Golden light filters through the trees, setting the leaves ablaze in red and orange. The forest floor hums with warmth, each fallen leaf a whisper of the season’s turn. A quiet path winds deeper, inviting you into the heart of the woods.
View from the Artist’s Window, Grove Street (ca. 1900)

Robert Frederick Blum (American, 1857–1903)

Sunlight slants across brick walls, softening the sharp edges of rooftops. A glimpse through the window frames laundry fluttering between buildings—ordinary life caught in quiet harmony. The city breathes beyond the pane, intimate yet distant, bathed in muted afternoon tones.
Bord de Loire au clair de lune (1911)

Ferdinand du Puigaudeau (French, 1864–1930)

Moonlight glows on the river’s surface, rippling between dark banks. Shadows blur into the water’s edge, dissolving trees and sky into a single hushed moment. The night hums, alive yet still, as if holding its breath beneath the silver light.
Autumn Landscape With Shepherd, Dog And Sheep

Jasper Francis Cropsey (American, 1823–1900)

Golden leaves rustle as the shepherd pauses, his dog alert beside him. Sheep graze lazily in the crisp autumn light, their wool blending with the fiery hues of the hills. A quiet moment stretches between man and nature, undisturbed but for the whisper of wind through the trees.
Southern street scene

Leontine von Littrow (Austrian, unknown)

Sunlight slants across cobblestones, casting long shadows from weathered buildings. A lone figure moves down the narrow street, their silhouette dissolving into the warm haze. Shutters hang slightly ajar, hinting at lives unfolding just beyond view. The air hums with quiet energy—a moment suspended in golden light.
A fishing village on the Baltic coast

Julius Sergius Klever (Russian, 1850–1924)

Waves crash against weathered boats as the Baltic wind whips through the fishing village. Smoke curls from chimneys into the fading light, where sea and sky blur into a single gray expanse. Nets hang heavy with the day’s catch, and the scent of salt lingers in the air.
Wheat Field with Cypresses (1889)

Vincent van Gogh (Dutch, 1853–1890)

Swirling golden wheat bends under a restless sky, cypress trees twisting like dark flames. The brushstrokes pulse with energy, thick paint carving wind and light into something alive. That tension between earth and air—solid stalks against whirling blue—makes the field feel both grounded and about to take flight.
On the Stile (1878)

Winslow Homer (American, 1836–1910)

A girl pauses on the wooden stile, her dress catching the breeze. The fields stretch beyond her, golden and endless. For a moment, she’s neither here nor there—just balanced between two worlds, one foot still lingering in childhood.
A Cottage In Gastein, Austria ( 1912)

Peder Mørk Mønsted (Danish, unknown)

Snow blankets the Austrian hillside, muffling the world. Smoke curls from the cottage chimney, a thin gray thread against the crisp white. The frozen stream glints under pale sunlight, its surface cracked like old porcelain. Warm light glows behind frosted windows—a quiet defiance against winter’s grip.