Landscape Art Collection | Perfect for Wall Art, Prints - Page 20 of 55

Crocuses with Snowy Mountains Behind (1897)

Stanisław Witkiewicz (Polish, 1851–1915)

Delicate purple crocuses push through the snow, their petals bright against the looming white peaks. Winter’s grip lingers in the shadows, but spring whispers beneath the frost. The mountains stand silent, watching life stir at their feet.
Landschaft, Frau mit Kinderwagen (1870)

Olga Wisinger-Florian (Austrian, 1844–1926)

A woman pushes a baby carriage along a sun-dappled path, the light filtering through leaves overhead. The scene hums with quiet movement—swaying branches, shifting shadows, the gentle roll of wheels on dirt. It’s an ordinary moment, yet alive with the soft pulse of afternoon warmth.
The Harvest Moon

Samuel Palmer (English, 1805–1881)

Golden light spills over rolling fields, the harvest moon hanging low. Shadows stretch long across the land, bending with the curves of the earth. A quiet hum lingers in the air—ripe wheat, damp soil, the promise of rest after labor. Night settles gently, heavy with abundance.
Le Champ De Blé Devant L’église (circa 1907)

Pierre Bonnard (French, 1867–1947)

Golden wheat sways before a quiet church, its steeple piercing the sky. Brushstrokes blur the boundary between field and building, as if the land itself is breathing. The colors hum—ochre, lavender, a slash of green—alive with movement yet utterly still.
The Rue Mosnier with Flags (1878)

Édouard Manet (French, 1832–1883)

Flags ripple above a sunlit Paris street, their bright stripes cutting through the haze. Cobblestones gleam after rain as figures move past shuttered buildings. The city hums with quiet energy—a fleeting glimpse of everyday life beneath fluttering banners.
Hütte auf der Waucha-Alm (1910)

Georg Holub (Austrian, 1861–1919)

A lone hut clings to the alpine slope, its weathered wood blending into the rocky outcrops. Thin mountain air sharpens the crisp lines of the roof against the sky. No people—just the quiet endurance of a structure built to outlast storms and seasons in this harsh, beautiful place.
Winter Song (1880s)

Francis Donkin Bedford (English, 1864–1954)

A frost-laced countryside hums under pale light, bare branches etching the sky. The hush of snow muffles distant echoes—perhaps footsteps, perhaps a melody carried on the cold air. Winter holds its breath here.
The Coming of Night (1897)

Wilfrid Gabriel de Glehn (English, 1870–1951)

Dusk settles over the trees, softening their edges into hazy silhouettes. The last light lingers, brushing the landscape with muted gold before surrendering to the deepening blue. A quiet hush falls—nature holding its breath as day slips away.
The Red School House (1873)

Winslow Homer (American, 1836–1910)

A lone red schoolhouse stands against the muted greens of a rural landscape. The weathered wood and simple shape suggest quiet days of chalk dust and recitations, a humble outpost of learning in the open countryside. No children play outside—just stillness, and the faint echo of lessons past.