Claude Monet’s *The Houses of Parliament, Sunset* (1903) captures the iconic London landmark bathed in the fiery glow of dusk, transforming the rigid Gothic architecture into a dreamlike haze of color. The sky burns with oranges and purples, their reflections shimmering across the Thames, while the Parliament buildings dissolve into blurred silhouettes—Monet’s brushstrokes dissolving solid forms into pure atmosphere. This series, painted from his room at the Savoy Hotel, reveals his obsession with light’s fleeting effects, each stroke a race against the sun’s vanishing act.
Unlike his earlier works, here Monet abandons precision for mood, letting the fog and fading light obscure details until the scene feels almost abstract. The painting thrums with energy, the choppy water and smudged sky suggesting movement, as if the city itself is breathing. It’s less a portrait of a place than a meditation on time—the way moments slip through our fingers, leaving only impressions behind.