1. Anthias polymna, The Tontelton; 2. Anthias bifasciatus, The Jordaine. (1785-1797) by Marcus Elieser Bloch

  • Artwork Name
    1. Anthias polymna, The Tontelton; 2. Anthias bifasciatus, The Jordaine. (1785-1797)
  • Artist
    Marcus Elieser Bloch (1723–1799), German
  • Dimensions
    Hand-colored engraving
  • Collection Source
    Natural History Museum, London
  • License
    Public Domain Content: Free for Personal & Commercial Use
  • 4578 x 2481 pixels, JPEG, 6.43 MB
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About the Artist

Marcus Elieser Bloch (1723–1799), German, A pioneering figure in natural history illustration, this German physician-turned-ichthyologist devoted his life to documenting the diversity of aquatic life with scientific precision and unexpected artistry. Though trained in medicine, his passion lay in the study of fish, leading to the monumental *Allgemeine Naturgeschichte der Fische*—a 12-volume masterpiece featuring 432 hand-colored copperplate engravings. Unlike dry anatomical sketches, his works balanced taxonomic rigor with vivid compositions, capturing the iridescence of scales and fluid motion of fins against carefully rendered seabeds. Bloch collaborated with engravers and colorists to achieve unprecedented accuracy, often working from specimens sent by global collectors, though some exotic species were inevitably romanticized through European lenses. His plates became references for both scientists and artists, bridging Enlightenment empiricism and aesthetic sensibility. Despite errors by modern standards (like mermaids sketched from dubious reports), the project advanced ichthyology and influenced later naturalists like Cuvier. The interplay of shadow and translucency in his depictions of jellyfish or the dramatic posture of a leaping sturgeon reveal an eye for dynamism rarely seen in scientific art of the era. Financial struggles and the Napoleonic Wars overshadowed his later years, but his legacy endures in museums and the species bearing his name, like *Blochius longirostris*.

Artwork Story

Marcus Elieser Bloch’s vibrant depictions of Anthias polymna (The Tontelton) and Anthias bifasciatus (The Jordaine) capture the delicate beauty of these tropical fish with astonishing precision. Rendered in rich hues, the scales shimmer under imagined light, their fins fanning out like translucent silk. The compositions balance scientific accuracy with artistic flair—each curve of the fish’s body feels alive, as if suspended mid-swim. Bloch’s work bridges natural history and art, revealing a fascination with the ocean’s lesser-known inhabitants long before underwater exploration became commonplace.

What stands out is the almost theatrical contrast between the two species: The Tontelton’s fiery oranges clash playfully against The Jordaine’s cooler stripes, as though staged for a silent aquatic ballet. Tiny details—the gill’s faint blush, the way shadows pool beneath their bellies—hint at Bloch’s obsessive observation. These aren’t mere illustrations; they’re portraits, each fish brimming with personality. Created between 1785 and 1797, the paintings reflect an era when European naturalists raced to document exotic life, turning curiosity into artistry.


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