Natural History Art Collection | Perfect for Wall Art, Prints - Page 10 of 41

Hypoplectrodes semicinctum (1875)

Frank Edward Clarke (New Zealander, 1864–1935)

A slender fish glides through pale water, its body striped with dusky bands. Delicate fins ripple like translucent silk, each brushstroke capturing the creature’s quiet grace. The muted colors suggest depth—a fleeting glimpse of life beneath the surface.
Boletus impolitus (1915-1945)

Hans Walty (Swiss, 1868-1948)

The Boletus impolitus rises from the page, its gills and stem rendered with precise lines. The mushroom’s muted tones contrast with the delicate crosshatching that gives it weight and texture. A quiet study of form, each stroke reveals the subtle curves and imperfections of the fungus.
Amanita cariosa (1915-1945)

Hans Walty (Swiss, 1868-1948)

Delicate gills fan out beneath the Amanita’s smooth cap, its pale flesh stark against the dark earth. The mushroom stands alone, a quiet study in fragility and form. Every line traces its fleeting existence—here today, gone tomorrow.
Poissons

Odilon Redon (French, 1840–1916)

Glowing fish dart through watery shadows, their scales catching light like scattered coins. The brushstrokes blur into liquid movement—a fleeting glimpse beneath the surface where color pulses and fades. Something alive flickers there, just beyond reach.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.060 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart between spiny crabs and oddly shaped crayfish, their scales shimmering in impossible colors. The seafloor teems with creatures both familiar and bizarre, each rendered with meticulous detail—a surreal underwater menagerie frozen mid-movement.
Foreign butterflies occurring in the three continents Asia, Africa and America Pl.069 (1779-1782)

Pieter Cramer (Dutch, 1721–1776)

Delicate wings unfurl across continents—vibrant patterns from Asia, Africa, and America preserved in precise lines. Each curve and spot maps a fleeting life, pinned not by science alone but by wonder.
Les liliacees Pl.14 (1805-1816)

Pierre Joseph Redouté (French, unknown)

Delicate lilies unfurl on the page, their petals so thin they seem to tremble. Each stamen stands precise as a clock’s gear, while shadows pool beneath curled leaves like spilled ink. This isn’t just a flower—it’s a dissection of light, structure, and the brief moment when a bloom holds perfection.
Carol the Meadow Lark (1919)

Louis Agassiz Fuertes (American, 1874–1927)

A meadowlark perches on a slender stem, its yellow breast bright against muted grasses. The bird’s sharp beak tilts upward, poised mid-song. Delicate watercolor strokes trace each feather’s subtle gradient, grounding scientific precision in quiet observation of wild grace.
Icones rerum naturalium, ou figures enluminées d’histoire naturelle du nord Pl.16 (1805-1806)

Peder Ascanius (Norwegian, 1723–1803)

A delicate crustacean, rendered in precise detail, its segmented shell and spindly legs frozen mid-motion—as if paused between ocean currents. The muted blues and earthy tones suggest a creature perfectly adapted to its unseen Nordic waters.