Natural History Art Collection | Perfect for Wall Art, Prints - Page 8 of 41

Ornithologia methodice digesta Pl.102 (1767-1776)

Saverio Manetti (Italian, 1723–1784)

A meticulous engraving of a bird mid-motion, feathers rendered with scientific precision. The lines capture every contour, as if the specimen might take flight from the page. A fusion of art and observation, where each stroke serves both beauty and taxonomy.
Abbildungen zu Oken’s Allgemeiner Naturgeschichte für alle Stände Pl.022 (1841)

Lorenz Oken (German, unknown)

Delicate veins branch across translucent leaves, each curve precise as a surgeon’s incision. The engraving’s sharp lines dissect nature, revealing symmetry hidden in petals and stems—a meticulous study of growth patterns frozen in ink.
Goldie the Baltimore Oriole, Sammy Jay (1919)

Louis Agassiz Fuertes (American, 1874–1927)

A Baltimore oriole perches bright against green leaves, its orange feathers glowing. Nearby, a jay’s sharp blue contrasts with the soft foliage. Watercolor strokes bring both birds to life—one delicate, the other bold—capturing their fleeting encounter in the wild.
Perca punctata, The Negro-fish. (1785-1797) (1)

Marcus Elieser Bloch (German, 1723–1799)

The spotted perch glides across the page, its scales etched with precision. Dark bands ripple down its flank like shadows in water. Every fin, every gill slit rendered sharp enough to catch the light. A silent swimmer frozen mid-motion, yet alive with the energy of unseen currents.
Cataphractus costatus, The Rib-fish. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

A spined fish, armored in bony plates, floats suspended on the page. Its ribbed body curves with precision, each scale etched in sharp detail—a specimen preserved not in brine, but ink and paper. The lines suggest motion, as if it might flick its tail and dart off the sheet.
En gren med paradisæbler (1816 – 1875)

P. C. Skovgaard (Danish, unknown)

A slender branch curves under the weight of paradise apples, their taut skins catching the light. Each fruit hangs precise and heavy, as if paused mid-swing. The leaves curl slightly at the edges, veins etched with quiet insistence. Something about the way they cluster suggests both abundance and restraint.
Fauna japonica Pl.024 (1833-1850)

Philipp Franz Balthasar von Siebold (German, 1796–1866)

Delicate wings spread against crisp paper, a Japanese insect preserved in ink. Every vein, every segment rendered with scientific precision—yet alive with motion, as if about to take flight from the page. Here, nature meets meticulous handwork, frozen in black and white.
Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.20 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms etched with precision—each line alive with texture and movement. The creatures seem to pause mid-motion, frozen in an intricate dance of fur, feather, and scale.
Cyprinus macrophthalmus, The Telescope. (1785-1797)

Marcus Elieser Bloch (German, 1723–1799)

A bulbous-eyed fish stares from the page, its scales meticulously etched. The exaggerated gaze gives it an almost alien presence, frozen mid-swim against blank parchment. Every fin and gill is rendered with scientific precision, yet the creature feels alive, as if it might flick its tail and vanish into the margins.