Natural History Art Collection | Perfect for Wall Art, Prints - Page 15 of 41

Natural History (Galerya obrazowa zwiérząt czyli Historya naturalna) Pl.15 (1839)

Anton Benedikt Reichenbach (German, 1804–1877)

A detailed engraving of animals, their forms etched with precision—each line alive with texture and movement. The creatures seem poised between stillness and action, frozen yet dynamic. A glimpse into the wild, rendered with meticulous care.
Fishes X (1885-1890)

Frederick McCoy (Irish, unknown)

Delicate watercolor strokes bring these fish to life—each scale, fin, and glint of light rendered with scientific precision. The colors bleed softly, as if the creatures might dart off the page into deeper water.
Encyclopaedia londinensis – Conchology Pl. 10 (1810)

John Chapman (English, unknown)

Delicate spirals and ribbed edges emerge in precise detail—each shell a miniature architecture. The engravings reveal subtle variations in form, from smooth curves to jagged ridges. These aren’t just illustrations; they’re a meticulous study of nature’s hidden geometry.
Boletus aurantiacus Bull. (1915-1945)

Hans Walty (Swiss, 1868-1948)

The orange-capped mushroom stands bold against a muted background, its gills radiating delicate precision. Each line captures the fungi’s quiet strength, a study in earthy tones and organic symmetry. The engraving reveals nature’s intricate design, inviting closer inspection of its subtle textures and balanced form.
En fuglekonge på en slåengren (1816 – 1875)

P. C. Skovgaard (Danish, unknown)

A small bird perches on a slender branch, its feathers rendered in delicate watercolor strokes. The details—each feather, the curve of its beak—suggest careful observation, blending art with scientific precision. The scene feels alive, as if the bird might flit away at any moment.
Icones rerum naturalium, ou figures enluminées d’histoire naturelle du nord Pl.12 (1805-1806)

Peder Ascanius (Norwegian, 1723–1803)

Delicate, precise lines trace the contours of marine life—each scale, fin, and tendril rendered with exacting detail. The page hums with quiet vitality, a meticulous record of creatures pulled from northern waters. Here, science and artistry merge in ink and color.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.099 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crab’s claws snap beside a crayfish’s curling antennae—each creature stranger than the last, twisting reality into something fantastical. The sea spills its oddest treasures here, defying expectation with every inked curve.
Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires.. Pl.070 (1718-1719)

Louis Renard (French, 1678–1746)

Vibrant fish dart across the page, their scales shimmering in impossible hues. A crimson crab claws at a cobalt crayfish, both frozen mid-battle. The sea creatures twist in exaggerated forms—some striped like tigers, others spotted like leopards, all defying nature’s ordinary palette.
Ornithologia methodice digesta Pl.063 (1767-1776)

Saverio Manetti (Italian, 1723–1784)

A delicate bird perches mid-motion, wings slightly raised as if caught between flight and rest. The engraving’s fine lines trace each feather with precision, turning science into quiet elegance.