Post-Impressionism Art Collection | Perfect for Wall Art, Prints - Page 8 of 9

Wheat Field with Cypresses (1889)

Vincent van Gogh (Dutch, 1853–1890)

Swirling golden wheat bends under a restless sky, cypress trees twisting like dark flames. The brushstrokes pulse with energy, thick paint carving wind and light into something alive. That tension between earth and air—solid stalks against whirling blue—makes the field feel both grounded and about to take flight.
At Sant Benet de Bages

Ramón Casas (Spanish, 1866–1932)

Sunlight dapples the Spanish countryside, casting long shadows across the path to Sant Benet de Bages. The brushstrokes blur fields and sky, leaving just enough detail to hint at the monastery’s quiet presence beyond the hills. A warm breeze seems to rustle through the olive trees.
Parterre fleuri

Ferdinand du Puigaudeau (French, 1864–1930)

A burst of flowers spills across the garden, their colors vibrant against the soft earth. The scene hums with quiet energy, as if the petals might tremble in the next breeze. Light lingers between the blooms, inviting you to step closer and lose yourself in their untamed beauty.
Dans le Brouillard (late 19th-early 20th century)

Henri Martin (French, 1860–1943)

Mist curls through the trees, softening edges into whispers of green and gray. The world dissolves into layers of quiet—a hush where light barely breaks through. No horizon, only the slow fade of branches into fog. France breathes here, unseen but thick in the air.
Une allée dans le Parc du Château de Versailles

Henri Martin (French, 1860–1943)

Dappled light filters through the trees lining the gravel path, casting shifting patterns on the ground. The alley stretches toward the distant château, its symmetry softened by loose brushstrokes that blur the boundary between garden and sky. A quiet moment in Versailles, where sunlight and shadow dance across the grand promenade.
The raising of Lazarus (after Rembrandt)

Vincent van Gogh (Dutch, 1853–1890)

A shrouded figure emerges from shadow, half-alive, as bystanders recoil in awe. The air hums with tension between death and revival, light clawing at the darkness. Rembrandt’s ghost lingers in the strokes, but the scene pulses with raw, urgent energy—less a miracle, more a struggle.
Le Champ De Blé Devant L’église (circa 1907)

Pierre Bonnard (French, 1867–1947)

Golden wheat sways before a quiet church, its steeple piercing the sky. Brushstrokes blur the boundary between field and building, as if the land itself is breathing. The colors hum—ochre, lavender, a slash of green—alive with movement yet utterly still.
Self-Portrait with a Straw Hat (1887)

Vincent van Gogh (Dutch, 1853–1890)

A man in a straw hat stares back, his face rough with brushstrokes. The hat’s brim casts a shadow, but his eyes pierce through—intense, restless. The background swirls with muted greens and blues, as if the air itself trembles around him. There’s no peace here, only a quiet, coiled energy.
Three books (1887)

Vincent van Gogh (Dutch, 1853–1890)

Three worn books lie stacked, their spines cracked and pages yellowed. Thick brushstrokes give weight to each volume, as if they’ve been read a hundred times. The colors—deep blues, muted greens—hint at stories waiting inside. No titles, just the quiet presence of well-loved books holding their secrets.