Religion

Infused with reverence and symbolism, our religious artworks echo centuries of faith, ritual, and transcendence. These timeless pieces are rich in narrative and spiritual depth, connecting the visible with the divine.

  • La barbe bleue (1904)

    La barbe bleue (1904)

    A. Guillon (French, unknown)

    A shadowed figure looms, his beard unnaturally blue. Whispers of dark deeds cling to him like the scent of old blood. The air hums with unspoken warnings—what lies behind that locked door? French folklore’s most chilling question lingers in the gloom.

  • Pensez À Dieu (1876)

    Pensez À Dieu (1876)

    Hugues Merle (French, 1823–1881)

    A woman kneels in fervent prayer, her face lifted toward unseen light. The folds of her dress pool around her like shadows, while her clasped hands press against her heart—a silent plea etched in every line of her body. The air hums with devotion, heavy and still.

  • Madonna And Child

    Madonna And Child

    Francisco de Zurbarán (Spanish, 1598–1664)

    A young mother cradles her child, their faces softly lit against the dark. The infant’s tiny hand rests on hers—tender, yet weighted with quiet solemnity. Gold fabric drapes around them, rich folds framing this quiet moment between two figures bound by love and destiny.

  • Les Agneaux (1897)

    Les Agneaux (1897)

    William Bouguereau (French, 1825–1905)

    Two lambs nuzzle close, their wool glowing in soft light. A shepherd’s staff leans nearby, hinting at unseen care. The scene hums with quiet devotion, a moment suspended between earth and something beyond.

  • Saint Bernardino of Siena (c. 1495)

    Saint Bernardino of Siena (c. 1495)

    Vincenzo Foppa (Italian, 1427–1515)

    A gaunt figure in a dark robe, his piercing gaze fixed beyond the frame. The saint’s hands clutch a book, fingers tense with urgency. Gold leaf haloes his head, but the shadows cling to his hollow cheeks—a man torn between divine light and earthly struggle.

  • La Vierge aux anges (1900)

    La Vierge aux anges (1900)

    William Bouguereau (French, 1825–1905)

    A luminous Virgin Mary cradles the infant Christ, surrounded by adoring angels. Their golden wings shimmer as they lean in, faces alight with reverence. The scene glows with divine warmth, every brushstroke heightening the celestial tenderness between mother and child.

  • La mort de Bouddha (circa 1899)

    La mort de Bouddha (circa 1899)

    Odilon Redon (French, 1840–1916)

    A fading Buddha lies still, surrounded by shadowy figures. The air hums with quiet reverence, the moment suspended between life and whatever comes after. Darkness swallows the edges, but his face remains luminous—not gone, just passing through.

  • The Temptation of Christ (c. 1516-25)

    The Temptation of Christ (c. 1516-25)

    Titian (Italian, c. 1488-1576)

    Christ kneels in the barren desert, gaunt from fasting. A winged figure offers bread while shadowy demons lurk behind rocks. The air hums with tension—will he yield to hunger or hold fast? Light fractures the scene, carving sharp contrasts between divine resolve and earthly frailty.

  • Madonna with child and John the Baptist (1875)

    Madonna with child and John the Baptist (1875)

    William Bouguereau (French, 1825–1905)

    The Madonna cradles her child as young John the Baptist looks on, their figures bathed in soft light. The tender moment blends divine grace with earthly warmth, the folds of fabric and gentle expressions creating an intimate scene of devotion. A quiet reverence lingers in the composition.