Renaissance Art Collection | Perfect for Wall Art, Prints

Saint Bernardino of Siena (c. 1495)

Vincenzo Foppa (Italian, 1427–1515)

A gaunt figure in a dark robe, his piercing gaze fixed beyond the frame. The saint’s hands clutch a book, fingers tense with urgency. Gold leaf haloes his head, but the shadows cling to his hollow cheeks—a man torn between divine light and earthly struggle.
The Temptation of Christ (c. 1516-25)

Titian (Italian, c. 1488-1576)

Christ kneels in the barren desert, gaunt from fasting. A winged figure offers bread while shadowy demons lurk behind rocks. The air hums with tension—will he yield to hunger or hold fast? Light fractures the scene, carving sharp contrasts between divine resolve and earthly frailty.
Madonna and Child with Young Saint John the Baptist

Sandro Botticelli (Italian, 1444-1510)

The Virgin cradles the Christ child as young John the Baptist looks on, his reed cross foreshadowing destiny. Golden light bathes their faces, halos glowing against the Tuscan hills. A tender moment, yet weighted with prophecy—the Baptist’s gaze already fixed on his sacred role.
Man Holding a Flute (ca. between 1560 and 1565)

Titian (Italian, c. 1488-1576)

A man grips a flute, his fingers poised mid-melody. Shadows cling to his furrowed brow, the instrument’s wood warm under lamplight. His lips part slightly—anticipation or the ghost of a note? The moment hums with unplayed music.
Carring of the Cross (1565)

Titian (Italian, c. 1488-1576)

A man stumbles under the weight of a wooden cross, shoulders bent, face streaked with dirt and exhaustion. Figures crowd around him—some shove, others weep. The rough grain of the wood presses into his skin. A moment suspended between brutality and surrender.
The Virgin and Child with St. Anne (1500-1513)

Leonardo da Vinci (Italian, 1452-1519)

Mary cradles the Christ child while Saint Anne watches, her gaze steady. The figures intertwine like a living sculpture, their gestures tender yet weighted with destiny. Light plays across their faces, hinting at the unspoken bond between mother, child, and grandmother—a quiet moment before the storm of salvation.
Portrait de Jeanne d’Aragon (1518)

Raphael (Italian, 1483-1520)

A noblewoman gazes serenely, her crimson sleeves rich against gold brocade. Pearls glint at her throat, fingers resting lightly on a book—a quiet assertion of intellect amid opulence. The delicate lace headdress frames her face, poised between youth and authority. Every fold whispers power.
The Annunciation (Ca. 1525-1528)

Pieter Coecke van Aelst (Flemish, 1502–1550)

A golden light spills through arched windows as the angel kneels, wings still trembling. Mary’s hands hover between surprise and acceptance, her blue robe pooling around her. The moment hangs—divine interruption in an ordinary room.
The Assumption of the Virgin

Ambrogio Bergognone (Italian, 1453–1523)

Mary ascends, bathed in golden light, her robes swirling as angels lift her toward heaven. Below, the apostles gaze upward, some reaching out as if to follow. The scene pulses with divine energy—earthly figures grounded in awe while the Virgin transcends mortal bounds. A moment suspended between earth and eternity.