Still life with blue flowers and two bottles on a table

Gerda Wegener
Artist Gerda Wegener
Date 1907
Medium Oil on canvas
Collection Private collection
Copyright Public domain. Free for personal & commercial use.

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1213 x 1800 pixels · 2.41 MB · JPEG
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3843 x 5701 pixels · 16.59 MB · JPEG

About the Artist

Gerda Wegener
Danish (1889–1940)
Renowned for her delicate yet bold Art Nouveau and early Modernist works, this Danish painter captured the glamour and intimacy of Parisian bohemian life in the early 20th century. With a fluid, decorative style, she often depicted women in moments of leisure or theatrical transformation, her brushstrokes imbuing them with both elegance and sly subversion. Fashion and identity were recurring fascinations—whether illustrating chic socialites, mythological figures, or her muse and wife, Lili Elbe, one of the first known recipients of gender-affirming surgery. The latter relationship profoundly shaped her art, infusing it with tenderness and a quiet challenge to conventional norms. Though celebrated in her lifetime for illustrations in *La Vie Parisienne* and *Vogue*, her legacy was overshadowed for decades before rediscovery. Today, her work resonates for its technical finesse and unapologetic celebration of femininity, queer love, and self-reinvention.

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HEX color palette extracted from Still life with blue flowers and two bottles on a table (1907)-palette by Gerda Wegener
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Artwork Story

Gerda Wegener’s ‘Still life with blue flowers and two bottles on a table’ is a vibrant dance of color and form, where delicate petals seem to tremble against the quiet solidity of glass. The blue flowers, almost luminous, spill from their vase with a wild elegance, while the bottles—one slender, the other stout—anchor the composition with their reflective surfaces. Light plays across the scene, catching the curves of the glass and the soft folds of petals, creating a harmony between fragility and permanence. There’s an intimacy here, as if Wegener captured a fleeting moment of beauty before it could fade.

The painting feels alive, not just in its subject but in the brushstrokes themselves—loose yet deliberate, as though each dab of paint was a breath. The table, barely suggested, becomes a stage for this quiet drama, where flowers and bottles converse without words. Wegener’s choice of blues, ranging from pale sky to deep cobalt, gives the work a dreamlike quality, as if the scene exists just beyond the edges of reality. It’s a still life that refuses to stay still, pulsing with the energy of an artist who saw the extraordinary in the everyday.

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